THE CORNER CAFE -- Another Kind of Fast Food

About four months ago, Dani Greer, the fearless leader and Drill Sergeant of the Blog Book Tours, and den mother of the Yahoo! group BBTCafe said, "Hey, kids! Let's do the show right here in the barn!"

Er, I mean, she suggested we all learn the self-publishing business by publishing an anthology. So we did.

We wrote stories, Dani and Helen Ginger edited them, Bodie Parkhurst of Magic Dog Press did the cover, Bob Sanchez taught us how to format for Kindle and Dani made it so.

The result is called THE CORNER CAFE.

Now it's available for Kindle for $0.99. Ain't it purty? We enrolled it in Amazon's KDP Select program for 90 days. That means it can't be published electronically anywhere else, it's free to borrow for KDP Select subscribers, and we can make it free for everybody for 5 days during the 90-day enrollment. We could continue the enrollment for unlimited numbers of 90-day stretches, with 5 free days each 90 days, but we won't.

Next month, I'm going to walk us through formatting for Smashwords, and then we'll put it up there, formatted for multiple e-readers. It'll be free at Smashwords, and we want it to be free at Amazon, as well; we aren't doing this for the money, but for the experience.

Nobody wants the headache of doing bookkeeping for distributing the income, so any money the anthology earns will be given to charity.

My story, by the way, is "The Catfish Enchantment". If you've read my story collection THE KING OF CHEROKEE CREEK, you'll know the characters in "The Catfish Enchantment".

Now we're three-fourths of the way through a month-long Blog Book Tour for the anthology. From spark of inspiration to promo burn-out in a few short months. That's fast.

The tour stop today is at Straight from Hel. Hop on over and see what's on the menu!

Marian Allen
Fantasies, mysteries, comedies, recipes

Why Whodunit Did It

I’m collaborating with several other Second Wind Publishing authors to write a series of novels online. The first novel is about the death of a little girl. Her body was found in the desert outside a bedroom community that once had been a working ranch, hence the name of the series, Rubicon Ranch.

Collaboration is a bit of an over-statement. Rubicon Ranch is more of a cross between a round robin or campfire tale, with each author taking turns adding to the story, and a role-playing game. We each create and control a POV character, show who s/he is, what relationship s/he has with the deceased, and why s/he might want him dead.

I have it easy --- my character, Melanie Gray, is a photographer/writer who wanders the desert taking photos for the coffee table books she used to write with her dead husband. (He wasn’t dead when they were working together, of course.) He died in a one-car accident while texting his mistress, though there are suspicious circumstances leading investigators to think that perhaps he was killed. Melanie has a talent for finding strange things in the desert, such as the child’s body stuffed in an abandoned television console in the first book, and the scattered body parts that will be found in the second book. This is all that leads the sheriff to suspect her.

The other characters, however, have to simultaneously prove that they are the murderer, yet also have a plausible explanation for why they acted guilty if they weren’t the murderer. (That’s because we don’t know whodunit until all the end of the book. So not only do readers of the ongoing story not know who the villain is, neither do we.)

In the first book, the authors solved the problem of simultaneously setting their characters up to be murderers while allowing for the possibility that they were innocent by giving their characters psychological or physiological problems, such as sleepwalking, to keep the characters themselves from knowing if they were the killer.

In the second book that we are in the process of organizing, there is no way the killer can be unaware of having killed the victim. Even if by chance the character killed in some sort of fugue state, the character will still be faced with a dead body, which he or she will cut in small pieces and distribute around the desert. So not only do the authors have to show that their characters are capable of the act, they have to show why their characters might have killed and why their characters might have mutilated the body.

So how do you write a character from a strict third person limited point of view, from inside the character’s head, proving that your character is the killer, while at the same time giving yourself an out if the character turns out to be innocent?

Well . . . If your character has killed before, you can have him/her worrying about if the sheriff will find out what s/he did, without being specific as to which crime s/he is wondering about. You can have your character act guilty --- perhaps desperately trying to cover something up. You can have him/her try to pin the murder on someone else, offering assistance to the sheriff, which would make your character seem guilty, but in the end (if your character is not the killer) have an alternate explanation. You can be hiding something in your house that can be construed as your having Morris's body that you're cutting up bit by bit. I'm sure you can come up with better ideas than these, but you get the idea.

I’m looking forward to seeing what the other authors come up with.

Meantime, if you haven’t checked out Rubicon Ranch, and wish do so, click here: Rubicon Ranch.

***

Pat Bertram is the author of Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. All Bertram’s books are available both in print and in ebook format. You can get them online at Second Wind Publishing, Amazon, B&N and Smashwords. At Smashwords, the books are available in all ebook formats including palm reading devices, and you can download the first 20-30% free!

Guest Post: Leave Your Ego at the Door – Collaborative Writing

I invited a friend of mine to pop by The Write Type today. Eileen Bell and I met a few years ago and for a while we were members of a small writers group that met every week. I knew she was a talented writer the first time she read aloud part of a story she was writing. Today, Eileen is going to share her experience of working on an anthology with 3 other authors. ~Cheryl Kaye Tardif

I recently finished a collaborative project called “Women of the Apocalypse,” a novella anthology that was released at the end of October. I worked with three other writers: Billie Milholland and Roxanne Felix from Edmonton, Alberta, and Ryan McFadden from London, Ontario. This is the story of how we survived.

From the outside, it looked like a simple assignment. We were tasked with writing one novella each for an anthology. A small cast of characters for each of us – one Horseman of the Apocalypse, one Archangel, and one female protagonist. We could write in any genre we wanted. The novellas were stand alone stories. No working story lines together. No “four writers writing with one voice.” Seemed like a dream come true, so we all said “Yes!”

We wrote our novellas without any input from the others, in order to allow each writer's voice and style to come through. It was a little difficult, due to a tight timeline and other aspects of our lives that demanded attention, but we all finished, on time, and barely scarred.

Then came the editing. We edited round robin style, giving each writer the opportunity to work on each novella. It was the right thing to do, because we all have different editing strengths, but this was the spot where egos threatened. As Roxanne said, “Need to lick your wounds? Rebuild your self-esteem? No time for such nonsense. Dive dive dive … into the rewrites. And edit your colleagues’ work, while trying to forget which one recently ripped apart yours.”

The hardest part about the editing process for me was remembering to leave the other person's voice and style intact, while cleaning up a wide ranging variety of issues – from grammar to plot holes big enough to drive a concrete truck through! We quickly figured out that ongoing communication was the key to keeping our stories our own, and keeping relationships with each other whole through this process.

The result? A unique anthology, with individual stories that stand on their own, but that work together to tell an even bigger story. And we all remained friends!

Women of the Apocalypse is now available online at www.womenoftheapocalypse.com, or on amazon.com. It is also available at Audreys Bookstore and Chapters Southpoint in Edmonton, McNally Robinson Booksellers in Winnipeg (after November 14th) and Pages on Kensington in Calgary (after November 13th.)

Eileen Bell has written (you guessed it) most of her life. She has completed 3 novels (one burned, one under her bed, one out in the world), several novellas, short stories and personal essays, and is happily working on several new projects. When she isn’t writing she’s living a fine life in a round house with her husband, her dog, her daughter’s cat, and two fish.