Showing posts with label Judy Penz Sheluk. Show all posts
Showing posts with label Judy Penz Sheluk. Show all posts

Sunday, August 28, 2016

Featuring Guest Blogger, Judy Penz Sheluk

It’s a pleasure to welcome back mystery author, Judy Penz Sheluk. Judy has just released her second mystery, Skeletons in the Attic, which is the first book in her Marketville Mystery Series. Her debut mystery, The Hanged Man’s Noose, was published in July 2015. Judy’s short crime fiction appears in World Enough and Crime, The Whole She-Bang 2, Flash and Bang and Live Free or Tri. She’s a member of Sisters in Crime, Crime Writers of Canada, International Thriller Writers and the Short Mystery Fiction Society. Find Judy on her website/blog at www.judypenzsheluk.com, where she interviews other authors and blogs about her writing journey.

Judy’s blog topic is “Don’t Wait for the Muse”

“There was a moment when I changed from an amateur to a professional. I assumed the burden of a profession, which is to write even when you don’t want to, don’t much like what you’re writing, and aren’t writing particularly well.” Agatha Christie.

I spent the better part of my teen years and early twenties reading Agatha Christie; in fact, I’ve read every one of her books, and credit Christie for my desire to write mysteries. But like Christie, for many years I was an amateur. Actually, amateur is overstating it. I was more of a “want-to be” writer. You know the type: the person who says they’re going to write a book “one day.”

For me, “one day” took about three decades from the time I put down Curtain, Hercule Poirot’s final mystery. In between, I worked as a Credit & Collections Manager, a Sales and Marketing Coordinator, and over the past thirteen years, a freelance writer and editor. It wasn’t my fault, you see. I was waiting for the muse to show up. I knew once the muse made an appearance I’d be ready to write that book.

Except the muse never came. I decided to take a creative writing class from Barry Dempster, an award-winning Canadian author and poet. It was Barry who told me, “The muse will never come unless you let her know you’re going to be there. Make time to write every day, even if it’s only for thirty minutes, even if all you’re doing is sitting there, staring at a blank page. One day, the words will come.”

They did. Faced with ten days off of all my freelance gigs, I started writing my first book, The Hanged Man’s Noose, on Christmas Eve 2011. I wrote every day, including Christmas and New Year’s Day. By the end of that ten-day period, I had a few chapters written. It never got easy…but it did get easier, and by February 2013, I’d finished writing and revising the book. Then I tried to find an agent, and when that didn’t work out, I went to work looking for a publisher.

I knew how elusive that muse could be, and I knew I should start another book, but I couldn’t bear to write the sequel to a book I hadn’t sold. I started Skeletons in the Attic, determined to make it as different from Noose as I could: Noose is written in third person, with multiple (primarily two) POVs. Skeletons, on the other hand, is written in first person, and entirely from the POV of the protagonist, Calamity (Callie) Barnstable. But this time, the Christie quote actually applied to me. Somewhere along the line, I’d stopped waiting for the muse to show up and graduated from want-to be writer to amateur writer to professional. Professional writer. Now that has a nice ring to it, doesn’t it?

Here’s a brief synopsis of Skeletons in the Attic:

What goes on behind closed doors doesn’t always stay there…

Calamity (Callie) Barnstable isn’t surprised to learn she’s the sole beneficiary of her late father’s estate, though she is shocked to discover she has inherited a house in the town of Marketville—a house she didn’t know existed. However, there are conditions attached to Callie’s inheritance: she must move to Marketville, live in the house, and solve her mother’s murder.

Callie’s not keen on dredging up a thirty-year-old mystery, but if she doesn’t do it, there’s a scheming psychic named Misty Rivers who is more than happy to expose the Barnstable family secrets. Determined to thwart Misty and fulfill her father’s wishes, Callie accepts the challenge. But is she ready to face the skeletons hidden in the attic?


Find Judy’s books on Amazon HERE:

Sunday, September 27, 2015

Introducing Guest Author: Judy Penz Sheluk

Over the past few weeks I’ve networked with many new people. One of the most dynamic, friendly, and helpful is Judy Penz Sheluk. Her debut mystery, THE HANGED MAN’S NOOSE was published July 2015 through Barking Rain Press. Her short crime fiction is included in The Whole She-Bang 2 and World Enough and Crime.
In her less mysterious pursuits, Judy works as a freelance writer/editor. She is currently Editor of Home BUILDER Magazine and Senior Editor, New England Antiques Journal.
Judy is a member of Sisters in Crime, Crime Writers of Canada, and International Thriller Writers. Find Judy at www.judypenzsheluk.com where she interviews other authors and blogs about the writing life.
I’ve posed some questions for Judy. You’ll find her answers insightful!

Tell us about your book

The Hanged Man’s Noose is the story of Emily Garland, a Toronto-based freelance writer who is offered a lucrative assignment in the small town of Lount’s Landing: find the real story behind a ruthless developer’s plans to convert an old schoolhouse on the town’s historic Main Street into a mega-box store. Recently dumped by her fiancĂ© and tired of reporting on the same old condo stats, she jumps at the opportunity to relocate and start anew. Adding to her motivation is the fact that she blames the developer for her mother’s recent suicide.

When Emily arrives in town, she quickly learns that not everyone is on board with the mega-box store, least of all Arabella Carpenter, the outspoken owner of the Glass Dolphin, an antiques shop on Main. But Arabella is not alone in her opposition. Before long, a vocal dissenter at a town hall meeting about the proposed project dies. A few days later, another body is discovered, and although both deaths are ruled accidental, Emily’s journalistic suspicions are aroused.

Putting her reporting skills to the ultimate test, Emily teams up with Arabella to discover the truth behind Stonehaven’s latest scheme before the murderer strikes again.
Describe an average writing day. Do you have any rituals and schedules?
I try to write every day, though it doesn’t always work out that way. My goal is 6,000 words a week, which gives me a first draft in three months. Once I have the draft completed, I leave it for a couple of weeks and start something else. After a couple of weeks, I’ll go back and change the color of the font on the entire document from black to blue. Then I start rereading it, editing chapter by chapter as I go, and changing the font color back to black when I’m satisfied that the chapter works. I’ll repeat that process once more, and then send the manuscript to a professional editor for their review. Then I’ll revise based on their input. After that final revision, I’ll send the book out into the world for publishing consideration.
As for rituals, I drink lots of tea (Warmth by Tetley, a cinnamon rooibos blend) and water. I also listen to talk radio while I write: either Newstalk 1010 or Talk 640 Toronto.
What are you working on right now?
I’m on the final revision of Skeletons in the Attic: A Marketville Mystery. It also takes place in small town (Marketville) but with the exception of Arabella Carpenter, who has a minor role, all the characters are different than in The Hanged Man’s Noose. I’m also planning the sequel to Noose, this time with Arabella as the protagonist and Emily along for the ride.
Read the first four chapters of The Hanged Man’s Noose free, and get a 35% off coupon HERE

Check out Judy's book on Amazon!