Showing posts with label libraries. Show all posts
Showing posts with label libraries. Show all posts

Sunday, September 25, 2011

More News on the E-book Revolution

Every few months, I like to report on the latest studies on e-books. While many writers have been publishing e-books for four or five years, the industry is still in its infancy and suffering inevitable growing pains. Having said that, according to a recent Harris poll mentioned in bookseller.com, the number of Americans using e-book readers has almost doubled over the past twelve months, up to 15% from 8% this time last year. Furthermore, one in six Americans intends to buy an e-reader within six months.

As I’ve mentioned from earlier studies, people who read e-books, also read more books than print readers. Not surprisingly, they also buy more books as well. In this study, about 17% of book buyers purchased between 11 and 20 books a year, while another 17% purchased 21 or more books a year.

Genre fiction still sells best: crime and thrillers (47%), science fiction (25%), literature (23%), and romance (23%). In non-fiction, the most popular category is biography at 29%, then history (27%) and religion and spirituality (24%). You can find more info at http://www.thebookseller.com/news/number-americans-reading-e-books-doubles.html

The latest issue of BC BookWorld Magazine (Vol. 25, No. 3, Autumn 2011) published an interview with Paul Whitney, who is the former chief librarian for the Burnaby Public Library and the Vancouver Public Library. Whitney was hired by the Public Lending Right Commission to investigate the impact of e-books for PLR’s program. Whitney found that trade print sales were down by 19% in the U.S. and that their decline is increasing; however, this decrease isn’t nearly as dramatic in Canada, right now anyway. Whitney does envision that things will become much tougher for bookstores down the road and he foresees many more store closures.

As far as libraries are concerned, print still rules. Only 2% of books borrowed from libraries are e-books, but again this figure will change. One of the problems libraries face, according to Whitney, is that there are simply too many books in the world, and that the tidal wave of new books every year is overwhelming, so the problem is which e-books to purchase?

Many other points were raised in the article (this is one of several articles about e-books and libraries in the autumn issue), but the bottom line is that writers, publishers, and others involved in the publishing industry are worried about the loss of control in a digital future. It’s interesting because if you read blogs by people like Joe Konrath, Dean Wesley Smith, and others, the digital world is all about regaining control. Clearly, it depends on your viewpoint and your strategy. If you read last week’s blog about one writer’s clash between traditional and self-publishing, you’ll see another glaring example of control issues. If you’d like to know more about the interview with Whitney, visit the website at http://www.abcbookworld.com/. I would encourage any Canadian writer to subscribe to this incredibly informative magazine.

THE OPPOSITE OF DARK, http://bit.ly/i983XE, Chapters/Indigo http://bit.ly/gtFSFw
FATAL ENCRYPTION, http://tinyurl.com/ddzsxl
TAXED TO DEATH, http://tinyurl.com/czsy5n

Sunday, April 10, 2011

Another Controversy in the E-book World

I’ve written about the battle of e-book pricing between Amazon and major publishers before. I’ve also written about the growing rate of e-book piracy, and the significant decrease in print sales, but this week I read about a new conflict: the looming battle between publishers and libraries.

A recent article by Mary Ann Gwinn of The Seattle Times, stated that HarperCollins recently decided to limit the number of times their e-books can be borrowed before the library has to pay for the right to circulate the e-book again. The number they decided on was 26. Hmm.

What if that e-book happens to be something as hot as The Harry Potter novels or the Twilight series? Needless to say, libraries are not happy with HarperCollins’ decision. Really, should they be made to pay repeatedly for an e-book simply because it’s popular? As one librarian noted, no one asks them to pull a print book off the shelf after it’s been taken more than 26 times, so why is the publisher demanding they do so with e-books? Unfortunately, HarperCollins’ books apparently count for 22%of all borrowed books at the Seattle Public Library. The library’s stats also show that over 300,000 books in their system are checked out 26 times or more. You can see why there’s a battle brewing. It’s going to be interesting to see how this turns out. To read more of Gwinn’s interesting article, go to http://seattletimes.nwsource.com/html/books/2014662056_litlife04.html

THE OPPOSITE OF DARK, http://bit.ly/i983XE
book trailer http://youtu.be/ojgoDKSW_ck
FATAL ENCRYPTION, http://tinyurl.com/ddzsxl
TAXED TO DEATH, http://tinyurl.com/czsy5n

Saturday, February 06, 2010

Getting Your Book Reviewed: Preparing the Book Kit

By L. S. Cauldwell

How difficult can it be getting your book reviewed by a book reviewer, an organization, library, journal or company? For one thing, it involves organization, a plan (both pre-publication and after publication), homework, Internet and library research, and putting together a kit which includes: a cover letter, power testimonials, book excerpts, a marketing plan, and ARC's or book copies. Does it involve more than that? It depends. There are many facets to the book review tradition that most authors overlook. To help make it a bit easier on everyone concerned, I'm going to present one item at a time. Today, I'm going to show you how to prepare a Book Review Kit.

1. Homework and Research
Do your homework first. Set aside time to go onto the Internet and find out which reviewers, journals, libraries, and companies require that you mail in your manuscript BEFORE the book goes into print. Then, find the reviewers, journals, libraries and companies requiring that you mail in the book AFTER it's published.

Read their directions. For example, the list below is for self-publishing authors only.

Pre-Publication

Booklist
American Library Association
50 E. Huron Street
Chicago, IL 60611

Horn Book Magazine
56 Roland Street, Suite 200
Boston, MA 02129
www.hbook.com
800-325-1170

Kirkus Reviews
VNU US Literary Group
770 Broadway
New York, NY 10003
www.kirkusreviews.com
646-654-5500

Publishers Weekly
360 Park Avenue South
New York, NY 10011
www.publishersweekly.com
646-746-6781

Post Publication

The Bulletin of the Center for Children’s Books
501 East Daniel Street
Champaign, IL 61820
http://bccb.lis.uiuc.edu
217-244-0324

Midwest Book Review
278 Orchard Drive
Oregon, WI 53575
www.midwestbookreview.com
www.midwestbookreview.com
608-835-7937

Midwest Book Review gives priority consideration to small publishers, self-
published authors, academic presses, and specialty publishers. To submit a book for
review we require the following:

Two finished copies of the book (no galleys or uncorrected proofs).

A cover letter.

A publicity release or media kit.

There is an approximate 14 to 16-week "window of opportunity" for a book to be assigned out for review.

If/when a book makes the cut and is featured, we will automatically send a tear sheet to the publisher for their records. When a book has been submitted on a publisher's behalf by an independent publicist, we will also try to furnish the publicist with a tear sheet for their files as well. It is the publisher's responsibility to inform authors and editors of the review.
You've done your homework and selected the reviewers you want to submit your ARC (Advance Review Copy) or finished book (Published). What's the author's next step?

2. ARC's:
The author prints out a copy of their manuscript on either 3-hole punch paper or do it manually. At Staples or Office Max, buy a package of Heavy Duty Report Covers. These covers come with a front and back side, metal fasteners and holds up to a three inch capacity of paper. Follow the directions on the package and bound your manuscript. Make sure that the box indent shows on the front cover. In that spot, you can place your author's information, Title of book and your name. Make sure it's done neatly with no glue, scotch tape or pencil smudges on it. This ARC represents you and your book. It's the first thing that a respective reviewer will see. Make it count.

3. Cover Letters:
Never send out an ARC without a proper cover letter. What is a cover letter?
A cover letter tells the prospective reviewer who you are, the book's title, and what the author is sending to that particular reviewer. Let's take a look at a package I put together to Midwest Book Review for my multi-cultural paranormal mystery.

I didn't send an ARC because Midwest Review requested that they wanted two (2) copies of my published book. Inside the two books, I wrote my blurb. "Enjoy! I did! Signed my name and included my author's business card.

The next step required me to print up three testimonial reviews from people who had already read the book. Each testimonial received a separate page. Each testimonial was written by a well-known author in the fiction genre: science fiction, futuristic romance, and mystery-thriller.

My next step was to include the first three chapters of the novel. These I stapled together.
I included a picture of the cover done by a well-known graphic artist. Great publicity for them and a professional looking cover always helps the author.

I purchased a black folder with the two pockets in front and a place to insert my author's card.

For the front of the folder, I added a clean white blank page with the title printed in bold letters and my name printed underneath it (Pen Name).

I was told my odds of having Midwest Book Reviewing looking at my kit were slim because they receive so many requests. Imagine my surprise three months later when I received a two page letter from the Mr. Cox telling me how much he and his young adult editor enjoyed reading Anna Mae and the material that I'd enclosed.

It's not impossible to receive a book review from one of the above-mentioned journals. These same steps can apply to well-known libraries, people reviewers, and newspaper reviews IF the author does their homework and research first.

I have mailed my book to additional reviewers (Radical Parenting, Best Parenting, Amazon reviewers, Tag My Books and have received reviews from everyone of them. What did I do right?

o Homework and Research.

o Write ahead of time to individual reviewers and make sure they want to review your book and it's in the genre they do their book reviews in.

o Find out if the review is FEE based. Some reviewers, organizations, on-line groups; they charge to review. Make sure you understand the directions and follow them to the letter.

o Include a cover letter to let the reviewers know what you're sending them.
Make sure you send them the material as specified in the directions. ARC's, media kits, cover letters, testimonials, book location, publisher's name and address, release date, and ISBN number.

o All this information determines whether they'll accept your book and review it or toss it in the pail. Some Internet reviewers state on-line that they receive millions of books for review, and yours may not be the one to be reviewed.

o Write in inner book cover, "NOT FOR RESELL." That means that the reviewer can't sell your book or ARC. Do specify what you want done with your ARC's or books. Suggest they give it to the local library, hospital, charity, or school.

o When sending out your books for review, always include your author's business card.

o Always SIGN your book and date it.

o Include a pre-paid postage card with your return address on it so that the reviewer can tell you when your book arrived. Or use it as a feedback card from potential reviewers. When I received my three pages of review from Midwest Books, they also sent along a pre-paid postage card tucked inside the envelope. Please return with your second book so we can review it.

Getting your book reviewed isn't impossible nor does it have to hurt. It requires paying attention, planning, and following instructions. Keep these in mind and your next book review fiasco will turn into a resounding success.

L S. Cauldwell, author of The Anna Mae Mysteries-The Golden Treasure - Three sneakered sleuths find Jefferson Davis' lost gold treasure with help from a disembodied black fist and divining rods.
http://lilliancauldwell.com and http://www.authorsden.com/lilliancauldwell
Move over Nancy Drew, there's a new girl in town.
Available at Amazon.com

Sunday, March 16, 2008

A Pleasant Surprise

Driving home from one of my library talks last week it occurred to me
that it was almost one year ago that I started doing signings and
events. So by now I should have a pretty good idea of what to
expect, right? Nope.

I've probably done at least 20 of these library talks and they
usually run around 8-10 people and last between an hour and an hour
and a half, consisting of a talk and then Q & A.
The usual 'remuneration' comes in the form of being able to sell
books at the end of the talk. Sometimes the library orders them from
the local bookstore and other times I'll sell them from my own
stock. So basically you get to move a few books, get some very nice
publicity and have a lot of fun. So like I said, I thought I knew
exactly what to expect.
But I was wrong.

I first suspected that something was different when I walked into
the room. Every seat was filled. I was expecting a dozen people at
the most and there were at least 3 times that number. And these were
not just bored, warm bodies who wandered in looking for a soft chair
and some free brownies - they were engaged and interested, with lots
of really good questions. And instead of lasting an hour or so, it
went on over two, until closing time.
Oh, and I forgot to mention that when I came in there was big table
at the back of the room with a large display of my books manned by
someone who I expected was one of the library staff.
Once again I was wrong. Turns out she was from Barnes & Noble. So at
the end, the library director thanked me, everyone applauded (also a
first!) and the nice lady from B&N sold my books. Then people came
up to ask me questions and get their books signed and I got what
turned out to be my biggest surprise of all.

Often when I book these gigs, the head of the library will ask me
what my `fee' is. Since I'm basically doing it for the exposure, I
always answer whatever their standard `honorarium' is or whatever
they want – which usually varies from $25 - $50 to nothing. And
given library budgets today, it more often than not, winds up being
closer to the `nothing' side. And that's OK because much like music,
you do this because you love it.
So you can imagine my surprise when I got home and looked at the
check that the library director had handed me at the end of my talk
and found that it was not only more that the standard
token `honorarium`, it was a lot more! So much more, that for a few
fleeting moments I had an actual `delusions of grandeur' spasm where
I thought, "Wow! This must be what it feels like to be James
Patterson or John Grisham!"
Fortunately it quickly passed when my wife told me to stop drooling
on the check and go take out the garbage (do you suppose that James
Patterson has to take out his own garbage?)

At any rate I guess that it proves that whenever you think you've
got it all figured out, often this business can really turn around
and surprise you … and sometimes very pleasantly!

All the best
Ric
Ric Wasley
Author/Musician
• Shadow of Innocence – 2007
• Acid Test – 2004

And please check out my McCarthy Family Mysteries free sample chapters on Amazon and Google!

Baby Boomer article series: http://EzineArticles.com/?expert=Ric_Wasley

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