Showing posts with label TWUC. Show all posts
Showing posts with label TWUC. Show all posts

Sunday, May 31, 2015

What's Missing From This Picture?

If you’re a professional author who works hard to make a living from writing, this week’s news is grim, based on three surveys from Canada, the U.S. and the U.K. TheWriters’ Union of Canada (TWUC) reported that writers’ incomes are down by 27% from 1998. 45% of survey participants report that they are working harder just to earn what they had previously. Note that the average income for writers is $12,879, which is $36,000 below the poverty line, and women earn only 55% of that earned by their male counterparts. One of the major reasons cited by TWUC’s executive director is weakening copyright protection in Canada. Also note that TWUC is comprised of 2,000 members, but this is only a fraction of all writers in Canada. Ironically, some writers I know find TWUC’s annual fee too expensive.

The American AuthorsGuild (AG) conducted a similar survey in April 2015. Results are still being analyzed but they do state that writing incomes have decreased by 24% since the last survey in 2009. Median incomes were $8,000 with full-time writers’ incomes dropping from $25,000 to $17,000. Here’s the stat that got me: writers who’ve been writing for 25 to 40 years have seen the greatest drop in their incomes from $28,7500 to $,9500. Yikes! The Guild is citing unfair publishing contracts as a main reason for the drop, claiming that publishers’ revenues have steadily risen over the years.

In the UK, TheAuthors’ Licensing and Collecting Society (ALCS), gathered information in 2013 from different writers’ organizations. They found that writers’ incomes have dropped by 29% since 2005. They also found that the number of writers who’ve been able to make a living from writing dropped from 40% to 11.5%  This survey also acknowledges the self-publishing aspect a little, by indicating that 25% of survey participants had self-published at some point and that 80% would do so again.

But here’s the thing. All three surveys don’t come close to capturing the real story of writers’ incomes because, aside from ALCS, they don’t address indie authors. I suspect that many indie authors don’t belong to these organizations. I also believe that there is an increasingly large shadow industry of writers writing and selling books and earning money.

The shadow industry was alluded to in one of Hugh Howey’s Authors Earnings reports that I blogged about earlier this year. Howey discovered that a fair number of titles were selling without ISBN numbers on Amazon. ISBNS are used by many organizations to identify the number of books being published globally, but the stats aren’t accurate. I am just one of many authors who bought several ISBNs back in the day, but never used all of them. Also, I and other writers use local services to print books which we sell by hand at trade shows and other events. Honestly, I sell more print books than TWUC or any organization realizes. This doesn’t mean that I’m earning more than the average writer. In fact, I’m earning less. But neither am I working at publishing and selling full-time.

My point is that although those surveys reveal important things, they don’t tell us the whole picture. No one does because I seriously doubt that anyone knows what it really is.




Sunday, August 10, 2014

The Writers' Union of Canada Speaks Out

For weeks, I’ve been reading about the ongoing dispute between Amazon and the Hachette Book Group. Millions of words have already been written on this topic, and it would take up too much space to highlight all of the opinions when you can easily Google the amazon/Hachette dispute to find the info. Since I live in Canada, what does interest me is that The Writers’ Union of Canada has now issued a public statement on the matter.

In a nutshell, they aren’t taking either side but are offering a third side, that is “that of the full spectrum of today’s professional authors. Simply put, neither Amazon.com nor Hachette Book Group would exist without the work of professional authors.” In other words, they want the two sides to resolve this issue fast as it’s hurting author’s incomes.

By the way, the TWUC’s official position is that 25% royalties on e-book sales is far too low and “does not reflect a marketplace reality”, indicating that 50% would be more realistic. I don’t disagree with them, but I doubt this will happen anytime soon either. You can read what else the TWUC says at http://www.writersunion.ca/news/public-statement-amazoncom-hachette-book-group-dispute



Sunday, March 13, 2011

Adapting to a New Landscape

This week, I attended a symposium which was offered by the Writers’ Union of Canada (TWUC). The topic was “Secure Footing in a Changing Literary Landscape”, and the presenters were Ross Laird, Betsy Warland, and Kelly Duffin, the Executive Director of TWUC.

In a nutshell, the symposium’s purpose was to let writers know that the way we read, publish, and market books is changing rapidly, and that writers have to make a decision: either jump on board or walk away because the old way of doing business just won’t cut it anymore.

When I started writing thirty years ago, there was a feeling, whether accurate or not, that once you were lucky enough to find a publisher, you’d be taken care of; meaning that you and your work would be developed and nurtured in a team environment to produce good books. Your breakout book—the one that garnered attention and generated decent sales—would occur at around book five.

About twenty years ago, all that changed. Publishing houses were either bought or merged into conglomerates driven by marketing teams who looked only at the bottom line, which was could this book make money? It was a huge change with a lot of casualties, including the beginning of the end for midlist authors.

Today, technology is driving an equally huge change, and the publishing world is in a state of both turmoil and growth. As Betsy Warland pointed out, it’s all a bit scary, especially for those used to doing things the old way; but as Ross Laird indicated, it’s never been a better time to be a writer. Publishing, promoting, and networking opportunities abound as never before, and plenty of writers are taking advantage of it, successfully. Laird pointed out that writers now need a bit of technological knowledge to navigate the new landscape, but this doesn’t mean one has to turn into a geek, unless you want to.

Kelly Duffin offered some worthwhile tips about what to watch out for in today’s contracts, particularly with regard to electronic rights. These days, it is virtually impossible to keep your electronic rights when signing a contract for a print book, however, there are things you can do, such as striving for a minimum of 30% royalties, and assigning a deadline for the publication of your book in electronic format. She also advised including a clause stipulating conditions under which electronic right would revert back to the author. There are many more contract tips for writers which I’d encourage all Canadian writers to familiarize yourselves with. TWUC offers a great booklet on the topic, at a reasonable price.

THE OPPOSITE OF DARK, http://bit.ly/i983XE
FATAL ENCRYPTION, http://tinyurl.com/ddzsxl
TAXED TO DEATH, http://tinyurl.com/czsy5n