Showing posts with label revision. Show all posts
Showing posts with label revision. Show all posts

Monday, July 21, 2014

Some Thoughts on Revision #amwriting

Good novels, they say, aren't written, they're rewritten. Some writers do all their revisions in their heads before they begin, or subconsciously as they write. Their rough draft is their final draft. Those writers exist, but they're few and far between. Most of us have some clean©up work to do after we've typed "THE END."

Two tools you'll find helpful in revising manuscripts are: a notebook and a shelf. I keep paper handy to make notes about changes I need to go back and make; I'll think of a motive I haven't explained or a question I haven't answered – or that a character hasn't asked, although he should have. In SAGE, I found that I needed a handy way to indicate family affiliation, since I identified people by their mothers' given names rather than by their fathers' last names. So I made a note of that and, when I went back to the book after a summer vacation, I went through and plugged in the change. I would normally do that after I had finished the entire book, but I would normally finish the entire book during one school year, and SAGE ended up taking nearly twenty.

As for the shelf: It's a good idea to let a book "settle" for a while, so you can go back and read it objectively. Be your own critic.

Do any rewriting you think necessary after this cold reading and analysis. Then get out your notebook again.

After I've "finished" a book, I pass it around to several people whose opinions I value, along with a notebook, and ask them to make comments. I compare their comments; if several of them have a problem with the same thing, I figure I probably ought to change that. If different ones have different negative comments, I change the ones I agree with.

When your book is as good as you can make it this time, start sending it out.

The four Divine Animals are afoot: Dragon, Unicorn, Phoenix, and Tortoise – the Divine Creature who "forgets" the rules of right and wrong. Hold on tight.


Karol, the hereditary ruler of Layounna, vanished while hidden away with her lover, leaving her consort-husband to claim the throne. Shortly afterward, all the children in Layounna's orphanages also vanished. Ten years later, Karol's consort-husband claims an obscure young woman as a second wife, and she also vanishes.

The consort's mother and sister dabble in dark matters, including blood sacrifice and poison. Opposed to them are the country's "unimportant" folk, including a silversmith, a disgraced adept, a shapechanging thief, a couple of kitchen maids, and at least one cat.

SAGE, one book in three volumes.

Marian Allen, Author Lady

Saturday, July 21, 2012

Raising A Book From The Dead

Dragon Face by
Klaudia Németh
http://www.elfwood.com/~codex

The book was dead, Jim. At the suggestions of a series of agents, I had rewritten my fantasy until the heart fell out of it. It was time to reboot. But could I? How?

With paperclips, index cards, highlighters, a computer, a notebook, and floorspace, that's how.

I had at least three versions, plus bits I had removed and parked in a Bits file. I took printouts of all of them but the first and went through them. Any scene or character or line I particularly liked got highlighted, paper clipped, and noted on an index card that was coded in the corner: 1995 p27-38, for example.

Then I went back to my first version. Using that one as the template, I made a outline and wrote each element of that on an index card. Then I started stacking, arranging, and shuffling.

If I found similar "keep this" scenes in more than one version, I compared them to see which I liked better, or I combined them into one I liked best.

Taking the now-ordered stack of cards, I cut and pasted scenes into a new rough draft that contained everything I loved about all the versions I'd done.

I printed that out.

At this point, I was lucky enough to qualify for a writing retreat, and even luckier that I was the only one there at this particular time. It would have been hard to resist the camaraderie of fellow writers, especially if socializing would have taken me away from hard work.... Oh, did I say that out loud?

At any rate, it was just me and the manuscript. Notebook and pen at hand, I read through the entire book, trying to hold it all in my mind at the same time. It was kind of scary to read a line and think, "Didn't Darcy say that exact same thing earlier?", to grab a chunk of pages, flip them over, and be on the very page I was looking for. That, my friends, is total immersion! ;)

As I went, I made notes of questions that needed to be answered, discrepancies, questions that needed to be inserted, bumps, character names, and anything else that needed to be tended to.

When I got home, I tended to them.

Now the book is huge again. I just signed a contract on it, with the understanding that it will need to be published as a series, probably of three. I realize that there may very well be more rewriting to be done, but I believe I can do it without murdering the manuscript. If I do commit verbicide, at least I know how to undo it.

The title is SAGE.

Marian Allen
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