The Opposite of Dark, Second Edition Ebook is Here!

Late this spring, I reached an amicable agreement to obtain all of my rights back to my first four Casey Holland mysteries. While TouchWood Editions was a great publisher to work with, it was time to move on.

I’m delighted to relaunch a second edition, ebook version of first installment, The Opposite of Dark. I’m hoping to release all four books before the year’s over, but I’m working on several new writing projects, and real life commitments swallow up many hours per week, so who knows?

The plan is to release the fifth installment, Knock Knock, in both print and ebook versions next year, which is exciting! More on that over the coming months!

After a lot of pondering and reading all sorts of advice on the subject, I’ve decided to price The Opposite of Dark at $3.99 US, which feels right, but time will tell. Meanwhile, the book’s available at:

amazon.com: http://tinyurl.com/hop2nrl

amazon.ca: http://tinyurl.com/h4wn83k

Kobo link: https://store.kobobooks.com/en-ca/ebook/the-opposite-of-dark-2

itunes: https://itunes.apple.com/us/book/the-opposite-of-dark/id1151714413?mt=11

And the blurb:

When the police tell transit security cop Casey Holland that her father was murdered the previous night, Casey doesn’t believe them. Why would she, given that she buried her dad three years earlier? Desperate to understand what’s going on and if the man she buried really was Marcus Holland, Casey attempts to unravel the truth about her past.

Filled with twists and turns and the unwelcome help of a persistent stranger, Casey’s quest takes her to Europe where startling revelations place her in danger. An associate of her father believes that Marcus stole three million dollars from him and he wants it back. Convinced that Casey can find the money, the man won’t stop until he either has the cash or she and those she loves die.

REVIEWERS SAY:

“This is truly a fast-moving, action-packed thriller with many twists and turns, many suspects, and many secrets and lies. I would have read this book at one sitting were I able to, I was so involved in the story.” Nightreader

“This is one fast-paced novel filled with characters that will definitely keep the reader wondering just who can Casey trust. This is a definite must read.” Fran Lewis

“This book is a page-turner. Purdy Kong creates rounded, believable characters and the story is complex enough to satisfy but not defeat you. I was never quite sure “who dun it”. Just what I love in a good mystery novel.” – Julie H. Ferguson, Author of Book Magic

Debra

Surprise! My Ebooks are On Sale Right Now!

I used to be pretty good at keeping track of my books’ sales ranking on amazon, but then life became unbelievably hectic and I lost track until last week. As it turns out, the normally $7.99 price for my first Casey Holland mystery, The Opposite of Dark has been reduced to $1.99 on amazon.com!

The story begins when the police tell Casey that her that her father’s been murdered in his West Vancouver home. But Casey buried her dad three years earlier, and he never owned a home in West Van, although he’d always wanted one. The story is about unraveling the truth about one’s past, and how the childhood’s we thought we knew weren’t the whole picture.

The second installment, Deadly Accusations, is also on sale which is great because the book really is a follow-up to all of the family drama Casey experiences in the first book.

The story picks up the story four months later, when Casey now finds herself with a boyfriend, Lou, eleven-year-old ward, Summer, and still reeling with the aftermath of family shocks. Compounding her problems is the murder of an irritating new coworker who, for some reason, didn’t like Casey, and another colleague likes Lou a little too much.

By the way, the third installment, Beneath the Bleak New Moon, a story about street racing in Vancouver, (a problem that impacts nearly every North American city) is also on sale for $2.99

And last, but not least, my latest, The Deep End, a story about youth at risk (inspired by my volunteer work in a youth detention centre) has also been reduced to $3.99.

For all you Kobo users, The Opposite of Dark has been reduced by at least 50% there as well to $4.99! Bargains, bargains, bargains! Ya gotta love ’em!

Debra

A Financial Reality Check for Writers

Many years ago, I belonged to an informal writers’ group that met once a month on Sundays. One of them announced her intent to make a living from her writing. At that time, she’d finished a small number of stories and hoped to sell her short fiction to literary markets here in Canada. I pointed out that selling short stories was a pretty tough way to make a living (or anywhere else for that matter). Even if she could sell her stories to every major Canadian literary magazine within a year (a feat I don’t think anyone’s ever achieved), she still wouldn’t make enough to live on. Those magazines paid on average, $250 per story, and there were only about twenty of them in the country. Plenty of smaller magazines were around, but they paid in pennies or free copies. Well, the writer shut me down, saying “I don’t want to hear this”. As far as I know, she’s still not making a living, however we lost touch years ago.

Having goals is important, but if a writer is depending on writing income to pay the bills, then reality checks are crucial. By this I don’t mean reading about the success stories of Hugh Howey, Joe Konrath, Amanada Hocking, E.L. James, and others. They are the rare exceptions to financial success.

Even traditionally published authors aren’t having an easy go of it these days. In fact, there’s been a lot of discussion on forums this week about the cracks in the romance writing biz. It appears that increasing numbers of traditionally published writers want out of their contracts due to poor print sales, lack of publisher support, almost nonexistent editing, and terrible covers. Romance readers have jumped on the e-book bandwagon, causing print sales to drop significantly.

Digital Book World recently took a survey of 10,000 authors and discovered that most authors are making less than $1,000 a year from their work. 80% of self-published authors earn less than $1,000. Over half of traditionally published authors earn less than that, as do 40% of hybrid authors (those both traditionally and self-published). Unsettling, huh?

The data also revealed that only 10% of traditionally published authors make over $20,000 a year and 5% of self-published authors. I’ve written before that even Pulitizer prize award winners are selling less than 1,000 print copies of their work, and e-book sales for many aren’t faring much better.

We work in an over-saturated market where free books can quickly provide enough reading material for the rest of one’s life. Still, we also work in a world, where readers always seek the next good read and movie producers constantly search for that next big movie. Is there hope and opportunity to break through that $1,000 mark, or $20,000 mark? Of course, but while you’re shooting for the stars, every once in a while, put one foot on the ground just to make sure it’s still there. To read more of the Digital Book World’s findings, you can find the link through GalleyCat’s blog.

P.S. I almost forgot. My publisher's put my first Casey Holland mystery, The Opposite of Dark for sale on Kindle for $1.99 until Feb. 2nd!

Bestselling Fiction Authors of All Time?

One of the newsletters I subscribe to posted a list of the top bestselling fiction authors of all time. The list comes from Wikipedia, so I’m not sure it’s completely accurate, but it is fun to read. This list includes only those known to have sold 100 million copies or more. Since precise numbers are impossible to determine for many, a column of minimum to maximum estimated sales is provided. Not enough is known about the sale records of some well-known authors to include them in the list at all. Also, the list doesn’t include comic book authors, but it does include the number of titles each author published. Here’s the top eleven:

William Shakespeare, 2 billion minimum to 4 billion maximum (44+ titles published)
Agatha Christie, 2 billion – 4 billion (85 titles)
Barbara Cartland, 500 million – 1 billion (she published 723 titles!)
Danielle Steel, 500 million – 800 million (72 titles)
Harold Robbins, his minimum and maximum is 750 million (23 titles)
Geroge Simenon, 500 million - 750 million (570 published books!)
Sidney Sheldon, 370 million – 600 million (only 19 titles, my how lazy!)
Enid Blyton, 300 million – 600 million (children’s author with 800 titles)
Dr. Seuss, 100 million – 500 million (44 titles)
Gilbert Patten, 125 million – 500 million (209 adolescent adventures)
J.K. Rowling, 350 million – 450 million (7 titles. That in itself is one heck of a record)

You can find the complete list at http://en.wikipedia.org/wiki/List_of_best-selling_fiction_authors Through that link, you can click on each individual’s name to learn more about them. Now, if you’ll excuse me, I need to get back to the keyboard. Clearly, I have some work to do.

DEADLY ACCUSATIONS, (now also out on Kindle) http://tinyurl.com/7b5dfub
THE OPPOSITE OF DARK, now available for iphones, iPads, and iPodTouch at http://bit.ly/nZLlS8. Also available in paperback at http://tinyurl.com/30dlx64 and on Kindle at http://tinyurl.com/7kxuat8
FATAL ENCRYPTION, http://tinyurl.com/ddzsxl
TAXED TO DEATH, http://tinyurl.com/czsy5n

Revealing New Stats from the AAP

The Association of American Publishers has released its latest round of stats, and findings are interesting. First, we’re getting a clearer picture of the state of bookselling in the U.S, as the AAP has increased the number of publishers providing input from approximately ninety to 1,149. They’ve also added categories such as children/YA ebooks.

What’s really interesting to note is the 11.5% rise in both print and ebook sales. Those who claim that print books are on their way out might want to rethink that idea. The report suggests that an improving economy could explain why people are buying more books from brick and mortar stores. Also, in January of last year, Borders was returning heaps of books, which is not the case this year, seeing as how they closed shop. Adult trade books rose by 16.4% this year, although mass market books are still down.

Also interesting to note is that the increase in childrens/YA ebooks has driven sales of print and digital books up a whopping 80.5%. Publishers attribute this huge rise to the availability of books for reading devices designed for that age group.

These stats are a really positive sign. People are buying more books in both print and ebook formats. In fact, you’ll see the rise in almost every category AAP lists with only three exceptions. Religious paperbacks, mass market books, and children’s board books sales are down. You can see the entire chart through the Shelf Awareness article at http://www.shelf-awareness.com/issue.html?issue=1703#m15549

DEADLY ACCUSATIONS, (now also out on Kindle http://tinyurl.com/7b5dfub
THE OPPOSITE OF DARK, now available for iphones, iPads, and iPodTouch at http://bit.ly/nZLlS8. Also available in paperback at http://tinyurl.com/30dlx64 and on Kindle at http://tinyurl.com/7kxuat8
FATAL ENCRYPTION, http://tinyurl.com/ddzsxl
TAXED TO DEATH, http://tinyurl.com/czsy5n

Steep Learning Curves

When I began the editing process with my publisher for the first Casey Holland mystery, it soon became clear that there were still things to learn about editing. Since deadlines were looming, I had to learn fast. It proved to be a steep learning curve, but an exhilarating experience. I was learning to analyze my work differently and, among other things, to plot timelines and character relationships on spreadsheets.

When I volunteered to become Crime Writers of Canada’s regional Vice President for BC, I knew I’d be taking on tasks I normally didn’t do, like using Skype, and organizing events. The first two events, Word on the Street and Arthur Ellis Night were simple, as I’d taken part in both before and had to arrange only one group of panelists for each event.

My limited event planning skills, however, are now being stretched as I find myself creating a whole day of events to celebrate National Crime Month in May. There have been challenges, beginning with tracking down the right people to book a room. Now that I have a room, I’m currently organizing a day of panels and participants. I have four panels, a blue pencil cafe, and about twelve participants. It’s kind of like putting a puzzle together; who goes where and with which topic. I’ve learned that getting help and feedback, especially from those who’ve done it before, is crucial. I’d be lost without them. I have yet to learn how to design adequate posters and flyers. It’s been difficult even for my own work, as this is not my strong suit; however, I have help, and for that I’m grateful.

What baffles me is how people plan entire weekend conference? It’s challenging enough just preparing for one day and one track of events, never mind three or more tracks spread over three days! I have a new respect and admiration for conference organizers, but I’m quite sure I don’t want to become one. Anyway, stay tuned for more info about our day-long event on May 5th in Victoria.

For those who live in BC’s lower mainland, our annual Coastal Crime Wave, an Evening with the Authors will be held in the Alice MacKay room at the Vancouver Public Library, 350 West Georgia St., Vancouver, from 7:00 p.m. to 8:30 p.m. We will have a lively panel discussion with mystery authors Roberta Rich, Stephen Legault, Leanne Dyck, and Don Hauka. Following this, we will announce this year’s nominees for the Arthur Ellis Awards. Categories include best unpublished novel, best first novel, and best novel, also short fiction, children’s and others. This is a free event and should be a lot of fun! Oh, and as one of my other duties, I’m hosting. I think I’m also the timekeeper to make sure we don’t go on too long. Ah, challenges, challenges...

DEADLY ACCUSATIONS, (now also out on Kindle http://tinyurl.com/7b5dfub
THE OPPOSITE OF DARK, now available for iphones, iPads, and iPodTouch at http://bit.ly/nZLlS8. Also available in paperback at http://tinyurl.com/30dlx64 and on Kindle at http://tinyurl.com/7kxuat8
FATAL ENCRYPTION, http://tinyurl.com/ddzsxl
TAXED TO DEATH, http://tinyurl.com/czsy5n

What’s Up with English Curriculums in Canadian High Schools?

This morning I heard part of an interesting CBC radio discussion among three well known Canadian publishers about publishing and bookselling. Those who don’t live in Canada might not be aware that keeping Canadian publishing alive has always been an uphill battle. One of the main reasons well-established and respected publishing houses, of all sizes, still exist (although some have fallen) after thirty years is because they’re subsidized by government grants. This has allowed Canadian publishers to publish some truly amazing poets, novelists, and short fiction writers, a number of whom have won major international prizes.

So why, the interviewees asked, are high school English curriculums still showcasing writers like Tennessee Williams, and requiring students to study older books like The Chrysalids, To Kill a Mockingbird, and Lord of the Flies (which my son just finished reading this year in Grade 11 English class)? For crying out loud, To Kill a Mockingbird and Lord of the Flies, although fine books, were on my high school reading list 35 years ago! Not only is the required list outdated, it seriously lacks Canadian content, although my daughter did reading Atwood’s The Handmaid’s Tale in IB English 12 six years ago, along with To Kill a Mockingbird and Lord of the Flies. As a Canadian writer, I find the neglect of Canadian authors offensive. The panelists pointed the finger at provincial governments who seemed not to care much about English reading lists, and they should.

It’s hard enough to get teenagers to read, so why subject them to dated material? There are wonderful Canadian science fiction, fantasy, and mystery writers, humorists, novelists, and so forth to entice kids to want to read again. Why not give students a choice but with more current material? Publishers and authors need readers, school curriculums need an overhaul. It’s a win-win, as far as I’m concerned. Of course, it all comes down to money, doesn’t it? Pulling out those same books year after year is a lot cheaper than buying new. Still, I’d like to see someone place a stack of Canadian books under the noses of decision-makers, make them do their homework, and then ask them how much they value Canadian literacy and Canadian culture?

DEADLY ACCUSATIONS, http://tinyurl.com/7b5dfub
THE OPPOSITE OF DARK, now available for iphones, iPads, and iPodTouch at http://bit.ly/nZLlS8. Also available in paperback at http://tinyurl.com/30dlx64 and on Kindle at http://tinyurl.com/7kxuat8
FATAL ENCRYPTION, http://tinyurl.com/ddzsxl
TAXED TO DEATH, http://tinyurl.com/czsy5n

Ebook Pricing Issues Could Wind Up in Court

This week’s hot topic in the publishing world is that the U.S. Department of Justice has told Apple and five of the big six publishers that they are facing lawsuits for colluding to raise the price of ebooks. The complaint is that Apple and the publishers are making books more expensive for consumers by altering the way retail prices are set. Whether the lawsuit proceeds remains to be seen, however the outcome could have a big impact on Barnes & Noble.

But there’s more to the story. Author’s Guild president Scott Turow has written a letter stating that the lawsuit would be grim news for anyone who cherishes a “rich literary culture”. Hmm. I’m not exactly sure what he means by that, and as you’ll see below, neither do Joe Konrath and Barry Eisler. I won’t go into a lot of detail or analysis here, but Turow apparently views amazon and the changes they’ve brought to the publishing and bookselling world as a huge threat to traditional publishers and brick and mortar stores. There are a number of points made in the letter, but at the end of it he says that the lawsuit could kill real competition in order to save the appearance of competition. You can draw your own conclusions after reading the letter at
http://blog.authorsguild.org/2012/03/09/letter-from-scott-turow-grim-news/

Finally, Joe Konrath and Barry Eisler have responded to Turow’s letter, shall I say, less than favorably. To start with, they are also suspicious of words like “rich literary culture” and have their own take on the situation, which you can read at http://jakonrath.blogspot.com/2012/03/barry-joe-scott-turow.html

And you think you have trouble finding the right price point for your ebooks? Sheesh! Things seem to get more complicated and tumultuous every month, and I find myself asking, do they really need to be?

DEADLY ACCUSATIONS, http://tinyurl.com/7b5dfub
THE OPPOSITE OF DARK, now available for iphones, iPads, and iPodTouch at http://bit.ly/nZLlS8. Also available in paperback at http://tinyurl.com/30dlx64 and on Kindle at http://tinyurl.com/7kxuat8
FATAL ENCRYPTION, http://tinyurl.com/ddzsxl
TAXED TO DEATH, http://tinyurl.com/czsy5n

A New Book is Born

This week, my second Casey Holland mystery, Deadly Accusations, is not only available in stores, but will be available on amazon on March 6th, in print for now. The Kindle edition will emerge down the road. So, Casey is being unleashed on the world once more, and yes, I feel very fortunate. This is a book I worked on a long time, and my writers’ group painstakingly critiqued every chapter over a year and a half.

I know that a lot of authors jump up and down and shout halleluiah from the rooftops when their book is published, but that’s not my style. Not that I actually adopted a style, I just kind of fell into it. See, whenever one of my novels is published I’m overcome with a sense of relief followed by a philosophical bent on the meaning of it all, and how that meaning is managing to weave itself into my life’s great plan. Not that I have a great plan, but I’m a spiritual person and believe that someone out there has concocted one for me. Whether that being is high-fiving or morosely shaking his, or her, head over this latest endeavor isn’t quite clear to me. Although, publication does feel right, so that’s probably a good sign.

Thanks to TouchWood Editions’savvy publicist, my book was mentioned in Quill and Quire recently, and recently reviewed in The National Post. Who would have thought? I really planned to live in complete obscurity for another few years. This kind of attention and exposure (partial obscurity, I call it) is a new thing, perhaps the work of that ubiquitous being. If you’re curious, you can find it at http://arts.nationalpost.com/2012/02/24/crimewave-the-wild-beasts-of-wuhan-last-dance-deadly-accusations/

As mentioned a couple weeks ago, I have a book launch scheduled for the last Saturday of March, and I’ll be reading at La Fontanna Cafe on Tues., March 20th. Thus beings the promotional part of my life. It’s going to be an interesting couple of months, culminating in attendance at the Bloody Words Crime writing conference in Toronto from June 1 to 3rd. I don’t want to take up space listing events here, but if anyone wants more information, you can contact me at debra_kong@telus.net and they can be found through my Facebook page, and here we go.

DEADLY ACCUSATIONS, http://tinyurl.com/7b5dfub

THE OPPOSITE OF DARK, now available for iphones, iPads, and iPodTouch at http://bit.ly/nZLlS8. Also available in paperback at http://tinyurl.com/30dlx64 and on Kindle at http://tinyurl.com/7kxuat8

FATAL ENCRYPTION, http://tinyurl.com/ddzsxl

TAXED TO DEATH, http://tinyurl.com/czsy5n

Retiring a Series, Retiring a Writer

About a decade ago, my mother and I were talking about the distant future, when I’d be able to collect government pensions and retire from writing. What struck me about that conversation was her assumption that I would retire while still relatively young (65 is still young to me), just as she had from her day job. She seemed taken aback when I told her I had no plans to ever retire.

Recently, I’ve begun to wonder if that statement is still completely true. Certainly, at some point in my life I’ll cut back on the two blogs a week, book reviews, and novel-a-year output, but completely? Somehow I doubt it, but you never know what the future will bring.

I do know a growing number of writers who, for different reasons, have decided to cut down, or walk away from writing altogether. Some of it is about wanting to do other things on their bucket list. Some are planning to stop writing for health reasons, and still others simply can’t be bothered keeping up with all the technology and marketing expectation foisted on them over the past couple of decades, especially if they started their careers in the 60’s or 70’s.

I’m wondering if there are writers who decide to pack it in after their series comes to an end, whether by choice or not. Which leads me to the question, at what point does one retire a series?

For me, it’s not that difficult. Before the first book, The Opposite of Dark, was released, my publisher, editor, and I discussed where the series was going and how many books it might take to get there before Casey’s story ended. While I have a pretty good idea, I don’t have the answer completed nailed down. However, like J.K. Rowling with the Harry Potter series, I already know exactly how my series will end and what the final scene will be. It’s probably the only thing she and I have in common, except perhaps a passion for writing. Rowling wrote her final scene long before she finished the final Harry Potter book. I still have to write mine.

Planning for the retirement of a series isn’t a bad thing. After all, who wants a character to overstay their welcome? As for retiring as a writer, well clearly that decision is personal and probably changes from year to year, due to circumstances. I prefer to keep my options open. How about you? Do you have a retirement plan for yourself or your series?

THE OPPOSITE OF DARK, now available for iphones, iPads, and iPodTouch at http://bit.ly/nZLlS8. Also available in paperback at http://tinyurl.com/30dlx64 and on Kindle at http://tinyurl.com/7kxuat8

FATAL ENCRYPTION, http://tinyurl.com/ddzsxl

TAXED TO DEATH, http://tinyurl.com/czsy5n

Book Launches: Yes, No, or Maybe?

Recently, I attended a writing colleague’s book launch for her debut novel, Exit Strategy. It was great fun and I was happy to be invited. I know what it’s like to stand in front of a room of people talking about one’s book, and then signing said book to an appreciative and friendly audience. It’s both gratifying and terribly nerve-wracking.

Since I have a book launch coming up at the end of March, it got me to thinking about launches in general. I’ve attended a few in my time at a variety of locales: restaurants, recreation centers, art centers, an Anglican church (the subject matter was appropriate to the location), and even in my own home for my first novel.

I like attending book launches for two reasons: one is that it’s a joy to see all the years of work, doubt, and struggle pay off for a writer. Secondly, I get to be among the first to read the book and acquire a signed copy. I’m building a wonderful collection of signed books from all sorts of authors, and they’re treasures I plan to keep.

Book launches are like weddings: they bring people together to celebrate an important event in an individual’s life. After the talking and signing is done, there are refreshments and often a party-like atmosphere. Book launches are mercifully shorter than weddings, however, and you don’t have to buy a gift; just a book, if you choose. It's always optional.

I respect the fact that not everyone likes book launches. They are a great ego boost for the host, after all, and difficult to execute for introverted authors (many of us fit this category). They can also be expensive if one goes all out with food, drink, and decorations. Also, if you’re hoping to put a book a year, is it realistic to expect friends, family, and acquaintances to attend year after year? On the other hand, maybe launches are the excuse people need to come together and confirm that dreams do survive in an increasingly fragmented and turbulent world. Stripped down, book launches can be intimate, humble, friendly, and even moving.

With the growing number of people owning ereaders, iPads, and iPhones, I don’t see why ebook authors can’t hold launches as well. While not everyone owns one of these devices yet, odds are they will in the future. Can you imagine reading from your new book at your launch, while your guests download the book simultaneously? Wouldn’t that be cool?

This year, my launch of Deadly Accusations, the second Casey Holland mystery, is taking place at the Port Moody Library, which is close to home. I chose the library because book launches are a bit scary for me and libraries have always been safe harbors. The event is Saturday, March 31st from 2:00 to 3:30 p.m., and yes, refreshments will be served. Because it’s in a library, they ask that attendees phone to reserve a seat, at 604-469-4575. If you live in BC’s Lower Mainland, I’d love to see you there. Port Moody Library is at 100 Newport Drive, right and shares the same building as the City Hall. If you have any questions, feel free to email me at debra_kong@telus.net
By the way, if you’ve hosted a book launch, I’d love to hear about your experiences!

THE OPPOSITE OF DARK, now available for iphones, iPads, and iPodTouch at http://bit.ly/nZLlS8. Also available in paperback at http://tinyurl.com/30dlx64 and on Kindle at http://tinyurl.com/7kxuat8
FATAL ENCRYPTION, http://tinyurl.com/ddzsxl
TAXED TO DEATH, http://tinyurl.com/czsy5n

Fraud is a Shape-Shifter

This week, I read an interesting—if not alarming article—by Angela Hoy, owner of WritersWeekly.com, about an online course which is teaching writers how to write ebooks and become rich. Sounds good, doesn’t it? Can you see how newbies would be attracted to the pitch of no financial investment and guaranteed success?

The instructor of this particular course informed his students that they could quickly produce nonfiction ebooks by taking information from other books on a subject and compiling it to create their own book! But it gets worse. Said instructor also advised students to create a pseudonym that would complement their topic and purchase a portrait from a stock photography website. The implication was that students could take this a step further by adding letters behind their name to establish “credibility”. Are you kidding me? As Angela states, this is fraud, folks. And any writer who attempts to do this is setting themselves up for lawsuits, which they could quite possibly lose.

Apparently, there are several websites and online courses offering writers the path to riches by pilfering other writers’ work. Unfortunately, plagiarism, get-rich-quick schemes, blatant scams, and misleading promises targeting writers is nothing new. Remember those American poetry contests who tell you how wonderful your poem is, publish it as part of a collection than sell the book to you for fifty bucks? Remember those publishers who said your work needed a bit more editing and they gave a recommendation, only that individual had a business relationship with the publisher which involved grabbing as much of your cash as possible?

Fraud is a shape-shifter. It changes form to suit the needs and opportunity of the day. It’s always there, right before your eyes, all nicely packaged in a deal that sounds wonderful. I’m betting that most of you are savvy writers who know better. But I’m also betting that most of you know a newbie who’s just starting out and wonders about these courses. Guide them down the right path, okay? You can visit Angela’s website at http://www.writersweekly.com/, or go directly to her article at http://writersweekly.com/the_latest_from_angelahoycom/007184_02082012.html

THE OPPOSITE OF DARK, now available for iphones, iPads, and iPodTouch at http://bit.ly/nZLlS8. Also available in paperback at http://tinyurl.com/30dlx64 and on Kindle at http://tinyurl.com/7kxuat8
FATAL ENCRYPTION, http://tinyurl.com/ddzsxl
TAXED TO DEATH, http://tinyurl.com/czsy5n

Those Elusive Book Reviews

Lately, I’ve read a number of complaints from authors whose books have been downloaded hundreds of times (many through the KDP Select program), yet they haven’t received any reviews. Some authors indicated that for every 2,000 downloads, they’ll receive maybe one or two reviews, and those might be negative. So, why aren’t authors getting reviews, how do they go about acquiring reviews, and should they even bother?

Although I have no concrete answer to the first question, I can speculate that the huge rise in free ebooks has inspired Kindle owners to download lots of books, few of which they actually have time to read right away, if ever. Heck, I’m still reading through print books I acquired ten years ago (yes, I’m on a mission to deplete my to-be-read pile). Because I review books, I’m a careful reader, and these days I’m averaging four books a month. Now, if I had a spiffy new Kindle and downloaded 200 books in my favorite genres, or by my favorite author, it would still take me four years to get through them all. In other words, writers need to learn patience.

Of course, it’s quite possible that readers have given the free downloads a try, didn’t like the books, and won’t look at them again. The book was free and it’s disposable. After all, no money was invested. Then there will be readers who liked the book, or even loved it, but simply don’t have time to write a review, or don’t feel they write well enough to attempt it.

This brings me to the question, should authors even bother seeking reviews? The answer is yes. Authors far more experienced than I maintain that reviews still sell books, and I agree. Reviews not only generate sales, but they help spread the word about a book. Word of mouth sells ebooks just as well (if not better) than it sells print books.

I’ve also read that, given the enormous number of ebooks out there, more readers are turning to online reviews to decide which book to buy. Many established reviewers in the print world also now have online columns. In fact, a growing number of reviewers are losing print space in their newspapers, so they’re actually producing more online reviews than ever.

So, how does one go about acquiring reviews? Through diligent research. Investigate other books in your genre or topic and see who’s reviewing them. Social networking sites like Goodreads have forums for people who are willing to review books. To help you get started, here’s a list of reviewers of both print and ebooks. Find those who are willing to read self-published, ebook authors in your genre, and follow their guidelines. Good luck!

http://www.stepbystepselfpublishing.net/ (offers a free book reviewer list, or a more comprehensive PDF download to purchase)

http://laurenwaters.net/2011/11/07/book-reviewers (this blog provides a good list)

http://labotomyofawriter.com/review-links (blog by Anastasia V. Pergakis provides a 797 links to reviewers!)

http://indiebookreviewer.wordpress.com/index

http://writersresourcedirectory.com/


THE OPPOSITE OF DARK, now available for iphones, iPads, and iPodTouch at http://bit.ly/nZLlS8. Also available in paperback at http://tinyurl.com/30dlx64 and on Kindle at http://tinyurl.com/7kxuat8
FATAL ENCRYPTION, http://tinyurl.com/ddzsxl
TAXED TO DEATH, http://tinyurl.com/czsy5n

Trying to Do Your Best for Readers

A number of years ago, I attended an interesting workshop given by Kristine Kathryn Rusch and her husband, Dean Wesley Smith, about the publishing biz, and things that aspiring writers should ponder. It was an interesting discussion. One of their comments was that every writer needs to make a decision about whether to commit to writing as a career, which means living with no regular paycheck, or taking the risk of writing fulltime. Kristine and Dean chose the latter at a fairly young age and succeeded. In fact, in her Jan. 25th blog, Kristine says she considers a professional writer as someone who makes between $50,000 and $100,000 a year. I don’t agree. I also remember her saying that she wrote 25 new pages of work everyday in the morning, and spent the rest of the day editing, which she doesn’t consider writing. Again, I disagree. She also estimated that she put in, at that time, roughly 90 hours a week on her career. After that discussion, I made a conscious choice to put my children first and keep the day job, as we needed the money, and I knew it wasn’t going to come quickly by choosing fulltime writing.

Recently, I found Kathryn’s blog, and noticed a distinct change in her approach to self-publishing. I was self-publishing in print form when I attended her panel a decade ago, and at that time, she was pretty clear that self-publishing was a horrible career move. Not anymore.

Don’t get me wrong, I do agree with a lot of what she says. Rusch is one of the few authors who not only writes prolifically, but understands the business side. However, I find myself once again disagreeing with a point she made in her Jan. 25th blog. It’s about indie authors ignoring readers, just as the big publishers have been doing. Rusch explains that the traditional publishers have an annoying habit of making the first book in a series out of print before the next installment hits the shelves. She maintains that indie writers are committing the similar sin of ignoring readers. Rusch is furious (her word) that indie authors are promoting the heck out of their first books and offering no follow up. Well, wait a sec. Kindleboards is crowded with authors who are serving up sequel after sequel in their series. She also says that if indie authors don’t produce new books before one or two years they’re insulting their readers. Again, I disagree.

I also know of many indie authors who are writing fast and publishing unpolished books far too quickly. Look, few authors are intentionally ignoring readers. It’s just that most of us don’t have the skill or time to produce quality books quickly due to day jobs, children, health obstacles, and so forth. No doubt, authors will say, well work around it...find a way. Well, we are, trust me. Readers might grow tired of waiting for the next book, but I think many of them are quite willing to wait longer for a quality sequel rather than a job full of typos, grammatical errors, and a weak plot.

Please, let’s not blame writers who are trying hard with whatever time, energy, and skill they have. It’s not about ignoring or disrespecting readers. It’s about struggling to write (and being serious and professional about it) while living with health and/or family challenges that certain six-figure income writers either overcame or never had to deal with in the first place. You can read her entire blog entry here http://kriswrites.com/2012/01/25/the-business-rusch-readers

THE OPPOSITE OF DARK, now available for iphones, iPads, and iPodTouch at http://bit.ly/nZLlS8. Also available in paperback at http://tinyurl.com/30dlx64 and on Kindle at http://tinyurl.com/7kxuat8
FATAL ENCRYPTION, http://tinyurl.com/ddzsxl
TAXED TO DEATH, http://tinyurl.com/czsy5n

Responding to Negative Reviews

I’m one of those writers who likes to know what’s going on in the publishing world, but a recent article in Guardian.co.uk caught me by surprise, and then it bothered me a little.

The article is about hostile responses to a negative book review. Apparently, one incident in particular recently invaded Goodreads and Twitter. I love Goodreads. It’s a wonderful place for readers and writers to gather and share a love of books, and although I only belong to a handful of groups, I’ve never seem flame wars erupt there, but it seems at least one has happened lately. The war apparently spilled onto Twitter where authors and even agents have also stepped into the fray.

According to the article, a much-hyped young adult novel called Tempest by Julia Cross received a negative review, which caused the author’s friends to put down the review and the reviewer. Even the author’s agent offered up comments. Their responses caused more backlash from readers until all hell broke loose on the forums, resulting in reader and review bashing on both sides. The article makes it clear that the author at the center of all this responded gracefully.

I want to reflect on reviews in general. First there’s a difference between a negative review and a bad review. In my mind, a bad review is a poorly written condemnation (or the exact opposite) that misses the point of the work, but caters to the reviewer’s agenda. Bad reviews, if totally off the wall, can be removed from places like amazon, if one is so inclined.

But why respond to negative reviews? Aren’t they simply one person’s opinion? Maybe some reviews will hurt sales, but maybe they’ll help. There is some merit to the line, “a bad review is better than no review at all”, and I know indie authors who’ve garnered impressive sales numbers, reviews notwithstanding.

The bottom line is do you want to harm your reputation as a reviewer, author, publisher, or agent by jumping into these types of name-calling squabbles? Is it worth it to create the kind of bad blood that will make future readers not want to buy your books, or read your reviews? Sure, lots of opinions on the Net are irritating. If we feel compelled to reply, shouldn’t we at least take time to think carefully before we reply? As the article demonstrates, words are powerful. Let’s use them wisely.

You can find the whole article at http://www.guardian.co.uk/books/2012/jan/16/ya-novel-readers-publishing-establishment

THE OPPOSITE OF DARK, now available for iphones, iPads, and iPodTouch at http://bit.ly/nZLlS8. Also available in paperback at http://tinyurl.com/30dlx64 and on Kindle at http://tinyurl.com/7kxuat8
FATAL ENCRYPTION, http://tinyurl.com/ddzsxl
TAXED TO DEATH, http://tinyurl.com/czsy5n

Who Owns the Ebook Rights to Decades-Old Titles?

The title of this blog is a question posed by journalist Jeffrey A. Trachtenberg in a recent article for The Wall Street Journal. It also works as a follow up to my blog last week about the importance of bequeathing your intellectual property.

The latest battle for ebook rights involves HarperCollins and a company called Open Road Integrated Media Inc., whose owner is a former HarperCollins CEO. Open Road released an ebook version of a popular children’s book published in 1972 called Julie of the Wolves. (To date, 3.8 million copies have been sold). HC is suing for copyright infringement, claiming they still have rights to the book, even though the original contract was made long before the digital age flourished.

It’s a huge issue. As one publisher noted, ebook revenue for publishers could be as much as 40% by the end of 2012. HC states that the ebook is directly competitive with the print book, which is still being sold. They also indicate that they had planned to bring out an ebook version. A spokesman for Open Road states that HC is trying to intimidate authors and grab rights that were nonexistent several decades ago.

And this is the crux of the matter. If there were no clauses in an author’s contract addressing ebook and other digital rights, does a publisher have rights to those books? Do family members? Some publishers are claiming that they do. Since big bucks are at stake, you can expect this issue to be played out many times in the near future. To read more, go to http://online.wsj.com/article_email/SB10001424052970203436904577153142705735660-lMyQjAxMTAyMDEwMDExNDAyWj.html?mod=wsj_share_email

THE OPPOSITE OF DARK, now available for iphones, iPads, and iPodTouch at http://bit.ly/nZLlS8. Also available in paperback at http://tinyurl.com/30dlx64 and on Kindle at http://tinyurl.com/7kxuat8
FATAL ENCRYPTION, http://tinyurl.com/ddzsxl
TAXED TO DEATH, http://tinyurl.com/czsy5n

Why Bequeathing Your Intellectual Property is Crucial

Recently, I came across a couple of interesting articles on the WritersWeekly website owned by Angela Hoy (www.writersweekly.com) If you have a chance, you should subscribe to her weekly newsletter. It’s full of good information.

Two of her articles that really struck me were about the copyright of a deceased author’s work. As Angela points out, it is absolutely wrong to assume that the work a deceased writer, even that of a close friend or relative, can be used by you, unless this has been clearly stipulated in their will. Verbal intent is not enough! Angela, who also publishes books through her company, booklocker, gives an example of a writer coauthoring a book with someone who died. Legally, the family of the deceased could halt the project, unless the rights to that work had been bequeathed to the coauthor in the will. You can read the whole article here, http://writersweekly.com/the_latest_from_angelahoycom/007076_12072011.html

Angela explores this issue further in another article, where she’s had the relatives of a deceased writer, whose work she’s published, fight in court for the right to acquire royalties and copyright to the deceased’s books. She’s also been approached by relatives of a deceased writer who try to claim royalties and rights, when in fact, the legal beneficiary was actually someone else. Angela now puts a beneficiary clause into her contracts, to prevent from becoming embroiled in court battles.

With the prevalence of ebooks and unlimited shelf life, a deceased author’s work can go on selling long after his or her death, so the question is, who do you want to bequest your intellectual property to? Every writer needs to address this issue, published or not. Those of you who have a drawer full of unpublished work could have a relative wanting to put them on the market after you’re gone, so they can collect royalties. Angela’s article about relatives going after a deceased writers’ work and royalties is filled with examples that will make your head spin. You can check it out at http://writersweekly.com/the_latest_from_angelahoycom/007095_12142011.html

The whole issue of who owns rights to books, and in particular ebooks, is a hot topic these days. Old contracts are being scrutinized and family members of deceased authors are looking to cash in on their relative’s earlier print books by turning them into ebooks. The New York Times wrote an interesting piece about the case of William Styron, author of Sophie’s Choice and The Confessions of Nat Turner, among others. My Styron’s family is claiming that they have the ebook rights to his work, however his longtime publisher, Random House, is claiming that they have the rights, which they have no intention of giving up. These types of legal battles are now being played out all over the country as the relatives of famous writers from bygone eras now want to cash in on the ebook revolution, as do their publishers. To read more, go to http://www.nytimes.com/2009/12/13/business/media/13ebooks.html

The moral of all this is that you must pay careful attention to your contracts, and you must make it clear to whom you intend to bequeath your work to. If you don’t, things could get messy and costly for your family.

THE OPPOSITE OF DARK, now available for iphones, iPads, and iPodTouch at http://bit.ly/nZLlS8. Also available in paperback and Kindle at http://tinyurl.com/30dlx64
FATAL ENCRYPTION, http://tinyurl.com/ddzsxl
TAXED TO DEATH, http://tinyurl.com/czsy5n

Banished Words for 2012

Happy New Year, everyone! I’m not going to bore you with my resolutions, which are pretty much the same as they were last year, so I thought I’d start the year off with a fun blog.

In case you haven’t seen it in the newspapers, Lake Superior State University has come up with a list of twelve words or phrases that should be banished in 2012, due to overuse or downright misuse. LSSU acquired this list by seeking nominations, and responses came from far and wide. So, be warned: if you choose to use any of these words in your writing this year, do so at your own peril!

The most nominated word is “amazing”, which probably won’t surprise you, because frankly, it’s both overused and misused a great deal. The other nominated words are:

baby bump
shared sacrifice
occupy (fill in the city of your choice)
blowback (often used by corporate types to mean reaction)
man cave
the new normal
pet parent (I wasn’t familiar with this one)
win the future (especially common in American politics, I’m told)
trickeration (come on, now. Is that even a word?)
ginormous (a favorite of my daughter’s when she was in her early teens a decade ago)
thank you in advance (I’ve never been fond of that either)

You can read some of the voters’ comments at http://www.lssu.edu/banished/current.php

THE OPPOSITE OF DARK, for iphones, iPads, and iPodTouch at http://bit.ly/nZLlS8, Kindle at http://tinyurl.com/7kxuat8 and in paperback at http://tinyurl.com/30dlx64

FATAL ENCRYPTION, http://tinyurl.com/ddzsxl

TAXED TO DEATH, http://tinyurl.com/czsy5n

Introducing Debra Purdy Kong

Actually, I don't have to introduce Debra. If you're a regular reader of this blog, you know her very well. She writes phenomenal articles about the state of the book business, decoding new industry advances, showing us where we are today, and helping us find our way through the blizzard of information.

She and I have been blog mates (along with Cheryl Tardif, who started the blog, and Marian Allen) for almost three years now, but Debra posts regularly every Saturday, and I post . . . whenever. In my defense, I have other blogs to take care of, one an excerpt blog where I post . . . you guessed it!! . . . book excerpts that authors send me to post, and I also have an interview blog.

Today, I am delighted to announce that Debra agreed to be a guest on both blogs!!

So, please stop by Pat Bertram Introduces . . . for an interview with Debra Purdy Kong, Author of “The Opposite of Dark” where we're talking about Debra's new book and her writing processes. Then stop by Dragon My Feet to read an Excerpt From “The Opposite of Dark” by Debra Purdy Kong.

Learning from Other Blogs

I discovered an interesting blog shared by eleven thriller and mystery writers, here on blogspot.com . Many of the contributors are familiar to me, and they’re writing about timely issues, which of course includes the traditional versus self-publishing debate.

One of these writers, James Scott Bell, posted a blog last Sunday about why he decided to self-publish. Since Bell is another traditionally published author with several books to his credit and who has earned his share of readers, I was curious about what he to say. Among the things he likes about self-publishing is that “it’s real money” and he’s paid every month which, as you probably know, traditional publishers don’t do. Secondly—and I agree with this point—it’s not about either/or. Why can’t authors embrace both, given the opportunity? If you want to read more of what he has to say, visit his blog and scroll down to older posts. A number of the bloggers at Kill Zone are worth reading, and you can find them at http://killzoneauthors.blogspot.com/

While I’m at it, here are a few more of my favorite blogs:

http://jakonrath.blogspot.com Whether you agree or disagree with Joe Konrath’s views, he’s always interesting and thought provoking.

http://poesdeadlydaughters.blogspot.com is a shared blog by six women mystery and thriller authors. They feature a number of guest bloggers and share poignant opinions on a variety of topics.

http://www.thepassivevoice.com/ is a great site updated nearly everyday and is filled with tons of info about writers, stats, libraries, and the publishing world.

There are more, but I don’t want to overload you, but if you have favorite sites filled with great info about writing and publishing, I’d love to hear about them.

THE OPPOSITE OF DARK, now available for iphones, iPads, and iPodTouch at http://bit.ly/nZLlS8. Also available in paperback at http://tinyurl.com/30dlx64
FATAL ENCRYPTION, http://tinyurl.com/ddzsxl
TAXED TO DEATH, http://tinyurl.com/czsy5n