Sunday, January 08, 2017

Beneath the Bleak New Moon 2nd Edition Released!

I’m happy to announce that my third Casey Holland mystery, Beneath the Bleak New Moon has finally been reissued in ebook format!

I had plan to release this title back in November, but you know what they say about real life interfering with the best laid plans…However, after Christmas I caught up and am now working on the fourth installment, which should be released later this month.

Beneath the Bleak New Moon is available at:


I also have a couple of local gift stores selling the paperback version, which you can find on the homepage of my website, or you can contact me if you wish a signed copy.

Here’s the blurb:

The unthinkable happens while transit security officer, Casey Holland, is dealing with an unruly pair of teenage twin girls on the M7 bus. Young journalist, Danielle Carpenter, is determined to identify the racers and asks for Casey’s help.

But helping Danielle isn’t easy. She’s not only reckless but on a personal vendetta. When Danielle goes missing and a suspected racer is murdered, Casey is compelled to step up the search for answers.

The third installment in the Casey Holland Mysteries, Beneath the Bleak New Moon, is a wild ride that will hold you in suspense until the end.

Praise for Casey Holland mysteries:

The National Post - “Kong’s writing is no-nonsense at best . . . the end result is a mystery that fits the bill.”

The Hamilton Spectator -  “A good read with urban grit and a spicy climax.”

Quill & Quire - “The novel’s short, punchy chapters whisk the story along to a thrilling climax, while the characters’ relationships and rivalries provided a strong emotional anchor.”

Crime Writers of Canada - “Purdy Kong keeps the action fast and furious . . . Casey is a perfect heroine for our times, a combination of thought and action.” – Lou Allin


Sunday, January 01, 2017

Looking Back and Looking Ahead

As I’ve written in the past, I’m not big on making New Year’s resolutions, but I do have goals. To me, a resolution and a goal aren’t quite the same thing. Resolutions involve one or two firm decisions to make a change or improvement no matter what. Goals are less stringent and don’t necessarily mean making a big change, but rather tweaking things here and there.

In a way, it’s also an odd contradiction for me. Looking back on my year-in-review this time last year, my plan was to cut back for 2016, as I’d taken on too much in the two previous years. And I did cutback. I gave fewer workshops, which required a fair bit of prep time, and reduced the amount the number of blogs I wrote.

Although I didn’t publish any new work this year, 2016 was still a year for goal achieving. I finally obtained my rights back to my Casey Holland novels and reissued five of six novels in multiple ebook platforms. This project is nearly complete, as I work on the last Casey novel now.

I’ve also been working on five different writing projects: two novellas and three novels. One of them is a fantasy which has been new and interesting challenge. It’s something I’d put off for years, but started last January. Now, I’m almost finished the first draft.

Despite the cutbacks on workshops, I still participated in 18 writing-related events this year; many of which were bookselling opportunities at a wide variety of locales. Have you ever sold books at a winery? It’s great fun. You get to drink, your customers drink, and everyone is friendly and chatty.

While book sales chugged along, I also managed to read and review 47 books, and write about the same number of blogs. So, will I cutback a little more this year? Perhaps. I’m still doing my part-time day job and enjoying it. My mother’s dementia becomes an increasing challenge for our family, but that’s life. In 2017, I also hope to publish another Casey Holland mystery and one novella.

If had to make a resolution for 2017, it would be to continue to do my best with whatever time, energy, and skill I have. We’ll see how it goes a year from now. Meanwhile, I wish all of you a creative, productive, and healthy new year!


Wednesday, December 21, 2016

Finding an Agent or Publisher -- reblogged

#4 Daughter, the amazing Sara Marian, and I have been asked how to find an agent or publisher. Sara had some excellent questions to ask in return and I, as an editor for small press Per Bastet Publications, have some insight into that, as well.

I'll link to some resources, because there is no quick and easy way to find the right agent/publisher for you and your project, but this is where you should begin:

What have you written? Non-fiction or fiction? Mainstream, literary, genre, cross-over? Kinda-sorta like these other books that have been published, or totally other?

You may feel -- and you may feel correctly -- that what you've written is art or at least high craft, but you're now stepping from the realm of creation into the world of business. You've passed from making into selling, and you need to do all you can to sell that book.

The first step is to analyze where it would fit in a bookstore. Where would it be shelved? How big is the market liable to be, assuming the publisher does nothing to promote it, which may very well happen. Sometimes publishers just throw a book at the wall and see if it sticks. It may be up to you to identify your market and get the word out about your book.

Do you want to approach an agent or a publisher? Do you want a small press or a major publisher?

Major publishers used to have slush piles: stacks of unsolicited submissions that were farmed out to by-the-piece readers or given to junior associates for an initial glance, to see if a book was worth bothering with. Thanks to cuts in staffing and expenditures, major publishers often rely on agents to be their first readers, and don't accept unsolicited submissions. (See the next point.)

Small presses sometimes take unsolicited submissions, but small presses are usually small, meaning they don't have a large editorial staff (Per Bastet has only me, God help us), so they may also discourage unsolicited submissions. They may accept submissions by invitation only or by pitch sessions at conventions. This isn't out of snobbishness, but because they have to limit the number of titles they publish each year and don't want to be overwhelmed. Small presses are also usually run by writers, who know how it feels to be put on hold for months and don't want to subject other writers to that limbo. (See the next point.)

Some agents take clients who don't already have a track record, some don't. Some take unsolicited submissions, some only take submissions from people recommended by current clients, publishers, or other professionals. Conventions/workshops sometimes hold pitch sessions for agents as well as for publishers. (See the next point.)

Now comes the next point:

RTFG -- READ THE GUIDELINES

When you decide where you want to submit, look them up online (most, if not all, agents/publishers have an online presence these days). Compare what you may have found in print to what you find online. Folks switch places of business, people get promoted, and what was up-to-date in Writer's Market 2016, printed in 2015, might or might not be the case in January 2017.

Whether the guidelines say so explicitly or not -- and they shouldn't have to say so -- do not send a rough draft. Do not send a first or second draft. Send a finished, polished, spell-checked, grammar-checked, read and reread work that you would be delighted to pay cash money for.

BE ABSOLUTELY CERTAIN that the place you're sending your work represents or publishes that sort of work. Format your query, proposal, sample chapters, or manuscript the way the place you're submitting wants it submitted. If you don't follow those first guidelines to present your work the way they want it presented, they won't trust you to take critiques and suggestions for rewrites well.

Expect critiques and suggestions for rewrites

This isn't about finding an agent or publisher, but bear it in mind. Your agent/editor will have opinions or house guidelines they'll want your book to conform to. Your first reaction will probably be, "Oh, HELL, no! This is my book! This is my book! This is my book! This is my book!" After you do that, consider the suggested changes.

If you absolutely cannot make a particular one (or ones), ask if you may make a case for letting it stand. If the agent/editor says, "My way or the highway," you may need to cut bait and take your work elsewhere. You have to balance artistic integrity against getting a reputation for being difficult to work with.
~*~
That's plenty to digest for right now. Here are some resources:

How to Publish a Book is a WikiHow article (wif pitchurs), that leads you, step-by-step, through the processes from manuscript to marketing.

Finding a Publisher vs Finding an Agent is a good article on Novel Writing Help, a website with a world of information and helpful instructions.

Although SFWA stands for Science Fiction & Fantasy Writers of America, good advice is good advice, and their How To Find a (Real) Literary Agent is only one of many pieces comprising their Writer Beware series.

Over and over, you'll see writing advice sites recommending QueryTracker. There's a reason for that: They have good stuff there. Finding a Reputable Agent or Publisher is well worth your time.

Last, I recommend your reading Lois Winston's post on Marilyn Meridith's blog on her happy journey from a "real" publishing house to self-publishing.

Marian Allen, Author Lady
Fantasies, mysteries, comedies, recipes

Sunday, December 18, 2016

Final Event of the Season Coming Up!

It’s been a whirlwind of activity these past seven weeks. I always step up my bookselling efforts at Christmas craft fairs, and this has been a great season, although tiring. I don’t recommend holding down a day job, then spending your weekends selling books unless you have a lot of determination and stamina and help!

My last event of the year will be a really fun event at Maple Ridge, as the Golden Ears Writers will be hosting an evening of holiday reading by local writers, and I’ll be one of the participants.

The event will take place at the ACT Arts Centre, 11944 Haney Place, Maple Ridge BC from 7 – 9 p.m. More details are at https://www.facebook.com/events/244476735971149/

It will be good to connect with writing colleagues I haven’t seen in a while. In fact, it’s the perfect way for me to wind up a year filled with events…18 of them, in fact!

Since this time next week will be Christmas, this is probably my last blog until after that time, so wishing all those who celebrate a very Merry Christmas, and Happy Holidays to all!





Thursday, December 01, 2016

MYSTERY NOVELLA, DEAD MAN FLOATING $.99 sale, DEC 1-7th!

Once again, Imajin Books has launched its pre-Christmas sale! My first Evan Dunstan mystery, DEAD MAN FLOATING is on sale for $.99 until Dec. 7th! If you’re looking for a quick, fun amateur sleuth story with an edge and a bit of humor, then meet campus security guard Evan Dunstan.


Here’s the blurb:

One wrong decision…

Security guard Evan Dunstan didn’t expect to find a body floating in a campus stream. An empty vodka bottle nearby suggests that the highly despised George Krenn, head of the plumbing department, had drunkenly fallen in. Refusing to let the death of a vile man ruin his romantic plans, Evan decides to leave the body for the next shift to find.

One friend in trouble…

When it’s discovered that Krenn was murdered, Evan has a lot of explaining to do. So does his friend Sully, Krenn’s least favourite student. Evan uses his hacking skills and campus knowledge to keep them both out of jail, but the investigation forces him to question Sully’s innocence.

One mystery to solve…

Uncovering the truth proves to be more than challenging. It may cost Evan his job, his friendship, and his woman. Will Evan find the killer, or will the killer find him first?

Thanks!




Sunday, November 27, 2016

The Bittersweet Irony in Valuing a Book

Since 2003, I’ve been receiving, along with many other Canadian authors, an annual payment from Access Copyright Canada. This organization is a nonprofit, national organization who licenses the copying of the work of Canadian creators (including visual artists, publishers, and others) to educational institutions, businesses, governments and so forth. They then pass the monies collected onto the copyright holders. (You can read more about this on their website). 
My highest income came in 2012 (over $870, however, after that time, the Supreme Court of Canada added a “fair-dealing” provision to the copyright law and, let’s just say, it’s been a game changer.

Over recent years, educational institutions and others have since challenged how much they should pay to share, remix, or copy someone’s work. Access Copyright has since been forced to significantly reduce payments to copyright holders.

Despite adding a new book to the roster nearly every year, the cheque I received this year was just over $200.00. A recent article in Quill and Quire reports that the organization might have to reduce payments by as much as 55% in 2017. You can read the reasons HERE.

In a world where writers earn well below the poverty line as it is, and people (I’ve seen them) think it’s quite okay to photocopy an entire book, it’s just another unneeded obstacle in the quest to be paid for our hard work.

Ironically, I’ve been selling my mystery novels at Christmas craft fairs this month, and have found that customers are happy to pay full value for books primarily because they love mysteries and believe in supporting local authors. These people aren’t loaded with money. But they are loaded with goodwill, a love of reading, and respect for artists.

You could well argue that this is an apple and oranges issue; that buying an author’s book at a fair is hardly the same as paying a pittance, if anything, to photocopy copyrighted work for teaching and research purposes. But for me, it all boils down to the same issue: what value do people place on a book? Does it have any value at all? Or only as long as it doesn’t interfere with their own agendas and priorities? Maybe everyone, including, businesses, governments, educational organizations, and even the Supreme Court of Canada, should be giving this further serious thought.