Zigzagging Plots

I walk in the desert, sometimes on straightaways, sometimes on hills. I learned something from the hill walks: she who goes up, must come down. And sometimes “down” means a very steep grade. I discovered that it was much easier to get to the bottom of these steep hills if I zigzagged from one edge of the path to the other. By descending diagonally, I can cut the steepness of the hill and am able keep my footing.

This seems to be a good metaphor for plot. While writing, we zigzag down an increasingly steep slope, never quite letting our readers know what direction they are traveling, but always keeping them on the path to the end. Or perhaps they are going up a hill, but the point is still the same: zigzagging.

I sent More Deaths Than One to hundreds of agents and editors, and the consensus was that my writing style was too matter-of-fact for the overly complicated plot. This from people who never read more than a few chapters. (Luckily for me, I finally found a publisher who read the whole novel and understood what I wanted to accomplish.)

It could be that as readers head down the steep slope of my story, zigzagging from side to side, the plot does seem complicated, but when they reach the end and look back, they can see that the story is very simple. A straight path. A man discovers that what he knows about himself is not true, and he sets out to discover the truth. Very simple. All the complications are simply the zigzagging path.

So, how do you keep your plot zigzagging? How do you know when to zig and when to zag? When readers look back from the finish line, can they see a simple story, or a complicated one?

Tips for Plotting Your Novel – Part 2: Ferment the Plot

In Part 1 I talked about percolating a novel plot, coming up with the ‘bubbles’, the ideas that form the skeleton of your plot. To write an engaging novel, you have to dig far deeper. That’s what fermenting helps you do.

What do you think of when you see the word FERMENT? Picture a vat filled with young wine; it needs time to soak in all the subtle flavors that will make it distinct and delicious. A novel needs time―and more importantly, deep thought―to gather in all the richness that will make it a novel worth reading.

One thing I’ve learned as a writer is this: thinking is underrated. We’re so programmed to be active and busy, that we forget that pausing every now and then actually allows us to process more information. To the human brain, writing a novel is a huge ‘information dump’; we need that pause to acknowledge our ideas, then sift through all of them to find the precious gems that will become our plot, characters, setting, and ultimately a bestselling novel (we hope).

During the fermentation stage, I’ll think more about the characters, one character and one question at a time until I have a solid answer for each. Who is she? What are her strengths and weaknesses? What is her goal? What suspenseful challenges will she face? What relationships are found or lost? Who is she up against and why? How does she proceed in the investigation or journey or quest? How does she finally reach her goal? What scene most comes to mind when it’s time for the final chapter or epilogue?

Often at the fermentation stage I’ve already started writing the actual novel. At different times throughout, I’ll pause and have what appears to be a break. But really I’m fermenting my novel plot. Someone watching me might think I’ve fallen asleep with my eyes open and head upright. You may even see the occasional wisp of smoke from my ears, or I might talk out loud or nod. I’m sure I must look weird when I do this at my favorite Starbucks, but each time I ferment my plot, the dialogue, action and characters grow stronger and deeper.

The next time you decide to write a novel, think about percolating and fermenting your plot. When I clicked on the word “percolate” and went to the synonym check in MS Word, the following words came up: seep into, infiltrate, permeate, penetrate, get into, infect, drip, filter. I think they perfectly describe what we need to do to create an engaging plot.

So percolate an idea. Let it seep into your mind and infiltrate your thoughts. As these ideas permeate your daily routine, they’ll penetrate further into your mind so you won’t forget them. They’ll get into your blood, infect you, until you can’t wait to sit down at the computer. The key then is to allow the thoughts to drip, one at a time, from your mind to the keyboard, so that in the end you become a filter and the perfect novel plot will finally emerge.

©2008 Cheryl Kaye Tardif

~Cheryl Kaye Tardif is a bestselling author of 3 Canadian suspense novels (Whale Song (published by award-winning Kunati Books), The River and Divine Intervention). She is also a freelance journalist and popular speaker at writers groups, conferences and book clubs. Her specialty topics are: book publishing options; book marketing (online and offline) and writing advice. Cheryl currently resides in Edmonton, Alberta, Canada.

Visit her website: http://www.cherylktardif.com, or her blog: http://www.cherylktardif.blogspot.com

Tips for Plotting Your Novel - Part 1: Percolate Your Ideas

Fiction authors are often asked, “How do you come up with your novel plots? Where do you find those ideas?” As a Canadian suspense author, I am often asked these questions, and my answers will usually include something about letting ideas percolate and ferment.

I know―it sounds like I’m brewing coffee and making homemade wine, but in reality I’m creating what I hope will be a fast-paced suspense novel that will be enjoyed by readers worldwide. I think that percolating a novel plot is the perfect way to describe how my mind processes information that will eventually end up in a novel.

What do you think of when you see the word PERCOLATE? Do you picture a stove-top percolator brewing some strong coffee? That’s how I think of writing a novel. Basically the percolation method, in relation to writing, means that I will think on an idea until it begins to take hold. Then I’ll think about other ideas and just allow the ideas to bubble to the surface, until I have the skeleton of my novel plot.

Most often I’m thinking of everything from the perpetrator’s mind. How does he commit his crimes? Who are his victims? Why does he choose them? What’s his motive? Who else might be a suspect? How can I mislead my audience? How does he finally get caught?

After I have the percolating part, I’ll make just a few notes. Sometimes, I’ll open a file on my computer and write a prologue or first chapter. Once I start thinking of the basis for the novel, I’ll almost always have a scene come to mind that usually throws the reader into some kind of action. I like doing that; throwing you into something unexpected in the first few pages.

Not every writer will plot a novel like I do. Many will use an outline; they’ll often write it out first, thinking of ideas as they go. Some authors won’t start writing until they have a completed outline. I’ve tried working this way, but it doesn’t work for me. So I use the percolation method.
As you think about the novel you want to write, ask yourself: who is the story is really about and what is the story about (in 30 words or less)? Don’t worry if you don’t have all the details yet. That’s what fermenting is for. You can read about that in Part 2, coming up on August 3rd.

©2008 Cheryl Kaye Tardif

~Cheryl Kaye Tardif is a bestselling author of 3 Canadian suspense novels (Whale Song (published by award-winning Kunati Books), The River and Divine Intervention). She is also a freelance journalist and popular speaker at writers groups, conferences and book clubs. Her specialty topics are: book publishing options; book marketing (online and offline) and writing advice. Cheryl currently resides in Edmonton, Alberta, Canada.

Visit her website: http://www.cherylktardif.com, or her blog: http://www.cherylktardif.blogspot.com