Over the past few weeks I’ve networked
with many new people. One of the most dynamic, friendly, and helpful is Judy
Penz Sheluk. Her debut mystery, THE HANGED MAN’S NOOSE was published July 2015
through Barking Rain Press. Her short crime fiction is included in The Whole
She-Bang 2 and World Enough and Crime.
In her less mysterious pursuits,
Judy works as a freelance writer/editor. She is currently Editor of Home
BUILDER Magazine and Senior Editor, New England Antiques Journal.
Judy is a member of Sisters in
Crime, Crime Writers of Canada, and International Thriller Writers. Find Judy
at www.judypenzsheluk.com where she interviews other authors and blogs about
the writing life.
I’ve posed some questions for Judy. You’ll find her answers
insightful!
Tell us about your
book
The Hanged Man’s Noose is the story of Emily Garland, a
Toronto-based freelance writer who is offered a lucrative assignment in the
small town of Lount’s Landing: find the real story behind a ruthless
developer’s plans to convert an old schoolhouse on the town’s historic Main
Street into a mega-box store. Recently dumped by her fiancé and tired of
reporting on the same old condo stats, she jumps at the opportunity to relocate
and start anew. Adding to her motivation is the fact that she blames the
developer for her mother’s recent suicide.
When Emily arrives in town, she quickly learns that not
everyone is on board with the mega-box store, least of all Arabella Carpenter,
the outspoken owner of the Glass Dolphin, an antiques shop on Main. But
Arabella is not alone in her opposition. Before long, a vocal dissenter at a
town hall meeting about the proposed project dies. A few days later, another
body is discovered, and although both deaths are ruled accidental, Emily’s
journalistic suspicions are aroused.
Putting her reporting skills to the ultimate test, Emily
teams up with Arabella to discover the truth behind Stonehaven’s latest scheme
before the murderer strikes again.
Describe an average writing day. Do you have any rituals and schedules?
I try to write every day, though
it doesn’t always work out that way. My goal is 6,000 words a week, which gives
me a first draft in three months. Once I have the draft completed, I leave it
for a couple of weeks and start something else. After a couple of weeks, I’ll
go back and change the color of the font on the entire document from black to
blue. Then I start rereading it, editing chapter by chapter as I go, and
changing the font color back to black when I’m satisfied that the chapter
works. I’ll repeat that process once more, and then send the manuscript to a
professional editor for their review. Then I’ll revise based on their input.
After that final revision, I’ll send the book out into the world for publishing
consideration.
As for rituals, I drink lots of
tea (Warmth by Tetley, a cinnamon rooibos blend) and water. I also listen to
talk radio while I write: either Newstalk 1010 or Talk 640 Toronto.
What are you working on right now?
I’m on the final revision of
Skeletons in the Attic: A Marketville Mystery. It also takes place in small
town (Marketville) but with the exception of Arabella Carpenter, who has a
minor role, all the characters are different than in The Hanged Man’s Noose.
I’m also planning the sequel to Noose, this time with Arabella as the
protagonist and Emily along for the ride.
Read the first four chapters of The Hanged Man’s
Noose free, and get a 35% off coupon HERECheck out Judy's book on Amazon!
2 comments:
Thanks for hosting me Debra
My pleasure, Judy. I love your editing technique, by changing the color of the text from black to blue. A great idea!!
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