Word on the Street - Vancouver

Today, I was at the Word on the Street Fair, in Vancouver. This day-long celebration of reading and writing was born in Toronto over twenty years ago, but has since expanded to other Canadian cities. Each year, all cities hold the event on the same day.

This was my sixth year at the fair and I never grow tired of it. This event is not just about selling books—although that’s a bonus—it’s about meeting friends, new and old, and discussing books, conventions, writers, and publishers, and all other writing-related things. It’s about sharing the love of reading with strangers.

The fair hasn’t changed much over the years and still has plenty to offer everyone: kids’ tents, a tent for poets to read aloud, and two more for novelists and nonfiction writers. One thing I’ve noticed since first attending in 1996 was the growth of graphic novels and comic books. I don’t remember them being much of a presence back then, but these writers now fill one very large room.

Technology has also changed the event a little. This year, Margaret Atwood was reading live from Toronto, yet Vancouver fans could participate in a question and answer session. They also could have their copies of her latest, The Year of the Flood, signed by Atwood using LongPen technology.

It was good to see colleagues again. Many of them travelled a fair distance to get there, but I think all would agree it was worth it. We sold some books, promoted Crime Writers of Canada (you do know there is such an organization don’t you?) caught up on each others’ lives, and exchanged smiles with tons of people on a gorgeous sunny day. What more could one ask for?

To read excerpts of Fatal Encryption and Taxed to Death, visit http://www.debrapurdykong.com/.

Fatal Encryption is available through amazon.com at http://tinyurl.com/ddzsxl and Taxed to Death can be found at http://tinyurl.com/czsy5n

What James Patterson's Up To and What I'm Up To

Not long ago, I wrote a blog about why I’m not prolific, but James Patterson sure is. The man has written, or co-written, over forty bestsellers. Recently, he signed a contract to write 17 more thrillers (11 adult and 6 for young people) by the end of 2012, for an undisclosed sum. Probably in the millions. I’m guessing he doesn’t do the housework, grocery shopping, and laundry at his place.

Meanwhile, the rest of us plug along as best we can. This week, I received one of the most thoughtful and in-depth reviews of Fatal Encryption I’ve ever had. I don’t know the reviewer personally, but she and I happen to be on the same forum, and I asked her if she’d review my book, and she agreed. Anyhow, the review by Fran Lewis is at http://tinyurl.com/ohg2xk

Also, I might have mentioned that I was featured on a blog by The Park Avenue Princess. She offered a giveaway of Fatal Encryption, which ended September 17th. The Princess reported that she had a great number of hits and the winner was very excited to have won a copy of the book. The contest went so well that she’ll be featuring me again, this time with respect to my first Alex Bellamy novel, Taxed to Death. I’m busy preparing something for this feature and will let you know when the contest is underway.

Lastly, I’m very honoured to be a future guest on author Lorna Suzuki’s blog. She’s given me quite a few questions to answer, so I’m busy working on those too. Her blog should be posted by the end of September, but I’ll announce the exact date later.

Thanks to all of those who participated in the giveaway. I really do appreciate it.

FATAL ENCRYPTION, http://tinyurl.com/ddzsxl
TAXED TO DEATH, http://tinyurl.com/czsy5n

Do Blog Tours Live Up To the Hype?

Daughter Am I, my latest novel, will soon to be released by Second Wind Pubishing, so I have to start planning a blog tour if I’m going to do one. I hear so much about how great they are — mostly from the major publishers who don’t want to spend the money to send their authors on an unvirtual tour — that I wonder if blog tours do anything for an unknown author. I know the most popular book blogs do help get the word out, but if one can’t get a guest spot on those blogs, is it still worth doing a tour? And is there any real difference between doing a formal tour and doing guest spots on a few blogs?

In case I decide that a blog tour is worth all the work, would you be willing to be a host?

Daughter Am I is a young woman/old gangsters coming of age tale that is being sold as mainstream, though it could just as easily be classified as a mystery.

When twenty-five-year-old Mary Stuart learns she inherited a farm from her recently murdered grandparents—grandparents her father claimed had died before she was born—she becomes obsessed with finding out who they were and why someone wanted them dead. Along the way she accumulates a crew of feisty octogenarians—former gangsters and friends of her grandfather. She meets and falls in love Tim Olson, whose grandfather shared a deadly secret with her great-grandfather. Now Mary and Tim need to stay one step ahead of the killer who is desperate to dig up that secret.

AAARRRGGGHHHH!!!! NOW I HAVE TO WRITE A REVIEW!!

While most of the world is talking about the new Dan Brown bestseller, Second Wind Publishing, LLC has quietly released another thriller -- Staccato by Deborah J Ledford. You won’t find all the elements that have become Brown’s hallmarks: cartoonish characters, amateurish prose, tin-ear for dialogue, internal inconsistencies. What you will find is a well-written, well-constructed story that will keep you enthralled.

The product description on Amazon says it better than I could: Performed against the backdrop of the Great Smoky Mountains of North Carolina, Staccato transports readers to a behind-the-scenes glimpse of professional musicians, the psychological twists and turns of its characters, and in the end, retribution that crashes in a crescendo of notes played at the literary pace of a maestro’s staccato. The only drawback to Staccato is that it doesn’t come with a soundtrack -- each meticulously chosen piece of music enhances the mood of the scene it accompanies, and unless you are much more informed about music than I am, you will miss some of the brilliance of this composition.

Readers are in for a treat, and me? Aaaarrrggghhhh!!! I have to write another review! Well, I don’t have to, but the book deserves all the attention it can get. So, I will add it to the stack of other books I’ve promised to review, yet haven’t:

Lacey Took a Holiday by Lazarus BarnhilL
The Medicine People by Lazarus Barnhill
Steel Waters by Ken Coffman
Toxic Shock Syndrome by Ken Coffman
Mazurka by Aaron Lazar
Heart of Hythea by Suzanne Francis
and now, Staccato by Deborah J Ledford

Although all these books are much more literate, readable, and enjoyable than Dan Brown’s pap, the best I can come up with for a review right now is, “Good book. I liked it and you will, too.”

What Makes a Good Writer Great?

Because I love to read, I thought it would be an interesting challenge to review books. Over the past two years, I’ve read everything from bestselling authors to self-published authors who’ve released their first books.

What’s especially jumped out at me lately is the amazing variety of stories. So many new, unknown writers have great yarns with intriguing and unusual premises, yet there’s a little something missing in the writing. Something that doesn’t put these people in the league of an Alice Munro, Raymond Carver, or Doris Lessing, for instance.

I can’t give a simple reason for this. To say that some writers just lack talent or experience seems too simplistic, although there might be a grain of true in that for some. But when you read a book that makes you think “wow, what an amazing writer, what exactly do you mean?

For me, great writing is a combination of things, but mainly I find it in the strength and distinctiveness of the writer’s voice. That tone, essence, and dazzling choice of words paragraph after paragraph, page after page, is what does it for me. Having said that, I’m not sure I have a handle on all the other factors, so I’d love to hear which authors you think are great and why.

A lot of people say you can teach people to write. I think this is true and I think you can even teach people to write well enough to sell their work and earn recognition. But can you teach someone to be a truly great writer? Will they be great if they practice enough? Learn enough? Read enough? Or is it a matter of some have it, and some don’t?

Characters Butting Heads

When I wrote the first draft of my novel More Deaths Than One (and the second draft and the third) I had the hero Bob meandering around his world trying to unravel his past all by himself, and it was boring. Did I say boring? It was moribund. The story went nowhere because there was no one for Bob to butt heads with.

As an aside: this is my current metaphor for a good story — characters butting heads with each other and spinning off in new directions. Too many authors today have their characters butting heads, moving straight back and butting heads again. If the characters don’t ricochet off into a different direction each time, you have characters that don’t change and hence you have a static story.

In the fourth draft of More Deaths Than One, I gave Bob a love interest, a waitress he met at a coffee shop. (Hey, so it’s been done before. The poor guy spent eighteen years in Southeast Asia, and didn’t know anybody stateside. How else was he supposed to meet someone?) That’s when the story took off. He had someone to butt heads with, someone to ooh and aah over his achievements, someone to be horrified at what had been done to him.

From that, I learned the importance of writing scenes with more than one character.

So why am I mentioning this?

Well, I’ve hit a hole in my work-in-progress, a possible weakness. The hero of this whimsically ironic apocalyptic novel, Chip, loses one person after the other until he is alone. There will be plenty of conflict as he contends with his new environment, but it might get boring without other characters for him to interact with.

There will be no problem once he ends up in the human zoo in the second part – his problem there (though not mine as the writer) is that he will have too many people to contend with. The same holds true for the third part of the book when he escapes. So there will be only about sixty pages where he is alone.

I do have one thing in my favor. I am a much better writer than I was when I wrote the first draft of More Deaths Than One, so perhaps I can keep the story going with Chip alone. (Saying I am a much better writer now is not necessarily saying I am a good writer. The first draft of More Deaths Than One was laughably bad. That I found an agent for it says more about the agent than it does my writing. No surprise – he couldn’t sell it.)

Chip does have to be alone at the end of the first part; he has an important step to take and must be by himself to take it. He also has to go through some experiences alone because they are essentially in his mind (or at least he thinks they are), but who will he be butting heads with the rest of the time? I’ll have to think about this.

More Deaths Than One is available from Amazon, Smashwords, and Second Wind Publishing